Dreams of a Life

Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.

Twenty years ago, Kurt Cobain was found dead of an apparent gunshot wound to the head. The world was told it was a suicide, but evidence would lead many people to believe it might be otherwise. The film investigates the possibilities that exist that Kurt Cobain's death might not have been a suicide, that the Seattle Police Department rushed their verdict, and the global media perpetuated lies and misinformation fed to them by Courtney Love that created the belief in many that Cobain killed himself—but when revealed to be lies—lead many to now question what happened.

One single Anne Frank moves us more than the countless others who suffered just as she did but whose faces have remained in the shadows-Primo Levi. The Oscar®-winning Helen Mirren will introduce audiences to Anne Frank's story through the words in her diary. The set will be her room in the secret refuge in Amsterdam, reconstructed in every detail by set designers from the Piccolo Theatre in Milan. Anne Frank this year would have been 90 years old. Anne's story is intertwined with that of five Holocaust survivors, teenage girls just like her, with the same ideals, the same desire to live: Arianna Szörenyi, Sarah Lichtsztejn-Montard, Helga Weiss and sisters Andra and Tatiana Bucci. Their testimonies alternate with those of their children and grandchildren.

Against the darkening backdrop of New Delhi's apocalyptic air and escalating violence, two brothers devote their lives to protecting one casualty of the turbulent times: the bird known as the black kite.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.