El Último Rey

It addresses the life of Vicente Fernández —better known as "El Charro de Huentitán"—, who, through interviews, testimonies and unpublished revelations, tells how before he came to sing at the Azteca Stadium he painted houses, of a stable marriage to several stormy loves and to make up for his absence as a father when he entrusted himself to God to save the life of one of his children.