Dimitris Papaioannou's new piece is a "dissection of the male psyche," and seems to draw upon a range of influences including the work of Jean Genet, Rene Magritte and Robert Wilson. Inspiration for the show also came partly from Papaioannou's own experiences as a gay man in Greece.
A destitute WWI veteran is hired to help carry out restoration work on a medieval mural in a rural Yorkshire church. While living in the quiet village, he forms a close friendship with an archaeologist and begins to come to terms with his trauma.
Fourteen-year-old Mo is a lonely, sensitive boy whose hunger for the rant and banter of buddies makes him prone to tread dangerous territories. He idolizes his handsome older brother, Rashid, a charismatic, well-respected member of a local gang, whose drug dealing enables “Rash” to provide for his family. Aching to be seen as a tough guy himself, Mo takes a job that unlocks a fateful turn of events and forces the brothers to confront their inner demons. It turns out that hate is easy. It is love and understanding that take real courage.
It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.