Nette Nachbarn küsst man nicht

Landpomeranze comes to the big city and immediately senses calamity and crime everywhere: at best Christiane Hörbiger could embody this role as well as Senta Berger. And she shines as a slightly slinky, but still desirable beauty that is permanently torn between her conscience and a curiosity that is additionally sparked by long-lost desire. Ruth Thomas grateful screenplay offers Berger the opportunity as a woman successful lawyers, whose existence evidently only applies to floriculture, to exhaust their entire acting spectrum. It begins with the grief over the loss of their dream home in the country and initially ends in comical despair when the couple ends up in a Berlin building after their career-related move.