According to Carlos Enrique Taboada himself, "my film is atheist, without concessions, anti-cinematic, anti-patriotic, anti-religious, anti-military, it is discursive and existentialist."
A painter from the big city goes to a remote canyon to commit suicide. To reach some calmness he stays at the farmstead of Ascen, an old religious woman. Although only a few words are spoken, love grows.
Cato, a hip-hop artist whose career is about to take off, runs into trouble with the law and a violently organized network of Argentine soccer hooligans.
Juan and his urban family live in the Mexican countryside, where they enjoy and suffer a world apart. And nobody knows if these two worlds are complimentary or if they strive to eliminate one another.
Tells the parallel stories of nine-year-old Carlitos and his mother, Rosario. In the hopes of providing a better life for her son, Rosario works illegally in the U.S. while her mother cares for Carlitos back in Mexico.
Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true events, set in the Argentina of 1979, this film is one about love.