Yılmaz Erdoğan

In 1919, Australian farmer Joshua Connor travels to Turkey to discover the fate of his three sons, reported missing in action. Holding on to hope, Joshua must travel across the war-torn landscape to find the truth and his own peace.

Burdened by troubles and caught between cultures, Riza takes a job as a mall Santa and finds that real life may not be so different from make believe.

A group of men set out in search of a dead body in the Anatolian steppes

Ahead of a promotion, a police chief becomes entangled in a deadly incident and uncovers an intrigue fueled by grudge that threatens his colleagues.

Asim Noyan swindles people with his lies and games. Asim Noyan and his gang, who no one else has been able to catch, get into a ruse again.

Yilmaz Erdogan, who presents strong insights on digital technology and social media, answers questions about himself and takes the audience on a very funny and "authentic" journey.

The story takes place in the small town of Hakkari in Turkey at the beginning of the '70s. The time has come to bring technology to that small town. The first Television (called Visiontele by the citizens) arrives and the chaos begins.

In a small Turkish town, two young tuberculous poets try to survive while publishing their poems. As they both fall in love, their life would never be the same.

Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.

A family migrates to the city after a tragic loss. When they reunite in their hometown 30 years later, buried emotions and painful secrets resurface.

Kurdish-Iranian poet Sahel has just been released from a thirty-year prison sentence in Iran. Now the one thing keeping him going is the thought of finding his wife, who thinks he's been dead for over twenty years.

Rebellious, irreverent wunderkind Gülseren navigates loneliness, love and loss against the current of political turmoil and social change.

Pirated DVD seller Zafer who is formerly an extra in movies, swore to give up illegal works when his wife wanted to get divorce. To win his family back, he and his old-fashioned crew decided to make a movie called "Summit - The End Of Evil" which is a fantastic science fiction movie and couldn't be shot since 1977. A funny, entertaining and emotional journey awaits him who waded into this adventure with his unqualified crew.

A struggling, suicidal young comedian meets a car thief who is willing to teach him a few things about his profession.

Yılmaz Erdoğan's lauded stage play traces the life of wunderkind Gülseren as she navigates social and political change.

The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his/her god or gods...or the lack thereof. In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.

“Anlatacaklarım var! Vaaz vermek değil niyetim, duyduğumu söylemek. Söylemeye değer şeyler duyuyorum zira. Belki hayatı daha yaşanır kılmak için ya da belki sade, ama sade anlatmak için... Sen anlat dedi Tanrı bana, anlaşılsın diye değil, hiçbir mükafat istemeden anlat... Çünkü bir mükafattır artık bir anlatıcıya doğru düzgün anlaşılmak! Sen anlat dedi... Sen sade anlat! Umudu hatırlatsın diye umutsuzluğu, çareye yol açsın diye çaresizliği anlat... Ders verme dedi kimseye, çünkü hoca denmez öğrenmesini bitirene. Çırakları olan bir çıraktır usta, olsa olsa... Sen anlat dedi bana Tanrı, sen sade anlat.... “ Yılmaz Erdoğan, “Bana Bir Şeyhler Oluyor” oyununun kahramanı Hilmi Duran’a söylettiği bu sözlerle, yazar olarak neden böyle bir oyun yazmak zorunda kaldığını açıklamakla kalmıyor, aynı zamanda kahramanının da kimliğini ele veriyor.

Esra leads two parallel lives. In her daily life the vivacious and spirited Esra adores her family but feels caged in her relationships. In her dream life, she yearns to discover the identity of the man who visits her dreams. While in waking life she struggles in vain, in her dream life she evolves in secret. But what if waking and dreaming were never separate and the real secret is shored by all?

Written by Yılmaz Erdoğan and first staged at the Beşiktaş Cultural Center (BKM) in 1995, Otogargara ran for four seasons to sold-out audiences. The play was also performed 468 times in many provinces and districts of Anatolia between 1995 and 1999, in addition to Ankara and İzmir. During its run at BKM, Otogargara was directed by Turgay Kantürk and featured Yılmaz Erdoğan, Demet Akbağ, Sinan Bengier, Olgun Şimşek, Zerrin Sümer, Erdoğan Dikmen, Gürdal Tosun, Evrim Solmaz, and Serhat Özcan, along with 22 other actors and dancers. It was the first play produced by BKM.

The story of a minibus driver and a fairytale princesss nestling under the wing of timeless friendship in an ordinary neighborhood.

In an eastern Turkish town, suitors knock on the door of the mayor and father of three beautiful daughters who choose to follow their own paths.

The mythological love story of two Kurdish youth.

A male (Yilmaz Erdogan) and female (Demet Akbag) meets at desolate balcony during a party. After a little while they start to talk via phone for hours and like each other. Their relationship turns into a passionate love which brings about a marriage; sooner or later they start to realize that their relationship has critical problems which are needed to be solved.

Çok Güzel Hareketler 2 is with you, featuring a cast from the second generation of BKM Mutfak and exceptional new sketches from Yılmaz Erdoğan's workshop.

Literature teacher Azem Yücedag, who was accused of killing his wife, is released from prison and embarks on a path to search for what he lost.

Çok Güzel Hareketler Bunlar, which's first episode published in 7 May 2008 on Kanal D, is an entertainment program. In Yilmaz Erdogan's management, BKM Mutfak players takes the stage and to give an active role to the audience, they let audience to rate the games.Yilmaz Erdogan's brother Deniz Erdogan wrote lyrics for a very familiar American folk song "Camptown Race" and that production became the generic music of the program.

When a mythical map falls into the hands of a legendary scam artist, he decides to pull one last con before leaving it all behind for good.