Ethel Waters

Broadway: The Golden Age is the most important, ambitious and comprehensive film ever made about America's most celebrated indigenous art form. Award-winning filmmaker Rick McKay filmed over 100 of the greatest stars ever to work on Broadway or in Hollywood. He soon learned that great films can be restored, fine literature can be kept in print - but historic Broadway performances of the past are the most endangered. They leave only memories that, while more vivid, are more difficult to preserve. In their own words — and not a moment too soon — Broadway: The Golden Age tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. This is the largest cast of legends ever in one film.

Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.

Pinky, a light skinned black woman, returns to her grandmother's house in the South after graduating from a Northern nursing school. Pinky tells her grandmother that she has been "passing" for white while at school in the North. In addition, she has fallen in love with a young white doctor, who knows nothing about her black heritage.

Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.

Ten screenwriters collaborated on this series of tales concerning the effect a tailcoat cursed by its tailor has on those who wear it. The video release features a W.C. Fields segment not included in the original theatrical release.

When compulsive gambler Little Joe Jackson dies in a drunken fight, he awakens in purgatory, where he learns that he will be sent back to Earth for six months to prove that he deserves to be in heaven. He awakens, remembering nothing and struggles to do right by his devout wife, Petunia, while an angel known as the General and the devil's son, Lucifer Jr., fight for his soul.

The once-prominent Compson family of Jefferson, Miss., has been reduced to near-penury by generations of alcoholism and sin. Levelheaded Jason struggles to keep the family together, but his teenage stepsister, Quentin, chafes against his strictures. When Quentin's estranged mother reappears in town, and carnival worker Charles attempts to seduce the virginal teen, the family may finally be headed for complete collapse.

A young soldier on a pass in New York City visits the famed Stage Door Canteen, where famous stars of theatre and film appear and host a recreational center for servicemen during the war. The soldier meets a pretty young hostess and they enjoy the many entertainers and a growing romance.

This short traces the history of sound in the movies, beginning with French scientist Leon Scott's experiments in 1857. Featured are snippets from early sound pictures.

Tomboy, Frances 'Frankie' Addams, dreams of running away with her brother and new fiancée away from the Deep South.

In this all-black short musical comedy, a woman has a husband so lazy she can stick a pin in him without him waking up... but announcing lunch gets him up pretty fast. She's also saddled with a bevy of his lazy relatives. Four more come by and sing as a quartet. After the wife learns they had been traveling men, she advises them to keep traveling and kicks them out...

In 1966, CBC Television invited some of North America's greatest blues performers to gather in a studio in Toronto, recording together and individually in sessions that lasted three days. The result was originally televised as part of the CBC "Festival" series, and now the session video tapes have been found, restored and re-edited. The great Muddy Waters and his band perform "You Can't Lose What You Never Had" and "Got My Mojo Workin'," the latter with James Cotton on harmonica. Willie Dixon goes solo on "Bassology" and (helped by a little '90s technology) performs "Crazy for My Baby" with host Colin James. Plus rare appearances by Sonny Terry and Brownie McGhee, Mable Hillery singing "How Long This Train Been Gone," and delta blues piano player Sunnyland Slim, introducing a whole new generation to this inspiring, soulful music.

Ossie Davis narrates a history of "race films," films made before 1950 which catered to a primarily black audience.

Reporter Homer Smith accidently draws Marcia Warren into his mission to stop Nazis from bombing Allied Conwoys with robot-planes.

The hard-working but struggling crew of a shrimp boat discover a sunken treasure. Trouble ensues in this dramatic black-cast production.

Conceited radio announcer irritates everyone else at the station.

While struggling with their son’s serious illness, a young couple experiences conflict when her husband does not understand the wife’s acceptance of Christ. THE HEART IS A REBEL features the beloved Ethel Waters, and is set against Billy Graham’s historic 1957 New York City Crusade, with color scenes of the Crusade at Madison Square Garden.

With unpaid actors and staff, the stage show Phantom Sweetheart seems doomed. To complicate matters, the box office takings have been robbed and the leading lady refuses to appear. Can the show be saved?

Aimed at African Americans and shot at Tuskegee University, this film instructs viewers in the prevention and treatment of tuberculosis by focusing on a pair of sympathetic siblings, George and Mary, whose lives are altered by the disease. Starring Rex Ingram as Dr. Gordon, the film suggests that organized religion is an important defensive location in this particular community, and warns of the dangers of the previous generation’s superstitions and its fear of medicine. The Health Department prominently featured the film at the 1939 World’s Fair. Directed by Edgar Ulmer.

A fantasy satire on politics in which a little boy dreams that he becomes President of the U.S. and his 'mammy' is Vice President. The film spotlights two now legendary performers much earlier in their careers: Ethel Waters and Sammy Davis Jr. In his first screen appearance, around the age of seven, pint-sized Davis sings, dances and clowns. Nicknamed 'the beanpole' slim and slinky Waters looks far different from the heavier figure she displayed in Pinky (1949) and Member of the Wedding (1953). Statuesque in a long glamorous white gown, she sings her big hit "Am I Blue." Davis, in turn sings "I'll Be Glad When You're Dead You Rascal You." (Separate Cinema)

Gordon Jenkins' record album "Manhattan Tower" was a best seller for 12 years and this spectacular is based on it, with book, music and lyrics by Jenkins, produced and staged by him as well. The story is of a young man named Steven, visiting New York City and falling in love with Julie. Together they do the town, with music and dance this production is a vintage classic.

Four panelists must determine guests' occupations - and, in the case of famous guests, while blindfolded, their identity - by asking only "yes" or "no" questions.

The Mike Douglas Show is an American daytime television talk show hosted by Mike Douglas that originally aired only in the Cleveland area during much of its first two years on the air. It then went into syndication in 1963 and remained on television until 1982. It was distributed by Westinghouse Broadcasting and for much of its run, originated from studios of two of the company's TV stations in Cleveland and Philadelphia.

The Dick Cavett Show has been the title of several talk shows hosted by Dick Cavett on various television networks.

Daniel Boone is an American action-adventure television series starring Fess Parker as Daniel Boone that aired from September 24, 1964 to September 10, 1970 on NBC for 165 episodes, and was made by 20th Century Fox Television. Ed Ames co-starred as Mingo, Boone's Cherokee friend, for the first four seasons of the series. Albert Salmi portrayed Boone's companion Yadkin in season one only. Dallas McKennon portrayed innkeeper Cincinnatus. Country Western singer-actor Jimmy Dean was a featured actor as Josh Clements during the 1968–1970 seasons. Actor and former NFL football player Rosey Grier made regular appearances as Gabe Cooper in the 1969 to 1970 season. The show was broadcast "in living color" beginning in fall 1965, the second season, and was shot entirely in California and Kanab, Utah.

The Ed Sullivan Show is an American TV variety show that originally ran on CBS from Sunday June 20, 1948 to Sunday June 6, 1971, and was hosted by New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the CBS Sunday Night Movie, which ran only one season and was eventually replaced by other shows. In 2002, The Ed Sullivan Show was ranked #15 on TV Guide's 50 Greatest TV Shows of All Time.

Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.

After discovering that his late father has gone through most of the family fortune, Tod Stiles hits the title trans-America highway in his Corvette in search of adventure with friend Buz Murdock, a survivor of New York's mean streets. The two work odd jobs as they meet and interact with colorful characters and find themselves plunged into one situation after another, some of them romantic, some of them very dangerous. Later, Linc Case, a Vietnam war hero trying to find himself, takes over as Tod's travel companion.

The Hollywood Palace is an hour-long American television variety show that was broadcast weekly on ABC from January 4, 1964 to February 7, 1970. Originally titled The Saturday Night Hollywood Palace, it began as a mid-season replacement for The Jerry Lewis Show, another variety show which had lasted only three months. It was staged in Hollywood at the former Hollywood Playhouse on Vine Street, which was renamed The Hollywood Palace during the show's duration and is today known as Avalon Hollywood. A little-known starlet named Raquel Welch was cast during the first season as the "Billboard Girl", who placed the names of the acts on a placard.

The Great Adventure is a historical anthology series that appeared on CBS for the 1963-1964 television season. The series, narrated each week by Van Heflin, and featuring theme music by Richard Rodgers, presented a weekly one-hour dramatization of the lives of famous Americans and important historical events in American History.

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.