José Ramón Larraz

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

The death of Sebastian's father engenders in him pathological fears and hallucinations. His death wishes seem to cause horrible accidents, which he is unable to control. When his older brother dies, he feels that he has caused it. He undergoes hypnosis, but his apparent supernatural powers continue. As his own life nears its end, he becomes even more violent and sadistic.

Spain 1640, the reverend superior nun Mariana, attends the death of her younger sister, Isabel's husband, who is overcome with hopelessness and heartache. Isabel then kisses and caresses the cadaver's exposed body as if he were still alive. Mother Mariana

An overview of the history of fantasy and horror cinema from the 1960s to the present day. Co-productions, the financing system, the Matesa case, the Miró Law, and the “back-to-back” system are some of the topics discussed firsthand by those involved.

Eurotika is a Channel 4 documentary film on European exploitation cinema. The documentary is similarly themed to Pete Tombs's book Immoral Tales: European Sex and Horror Movies 1956-1984. During the 1960s and 1970s, European low-budget films went kinky, emerging as a new type of cinema that blended eroticism, surrealism, horror, and over-the-top atmospherics.