Ricardo Blume

A group of beings permeated by the lack of love, guilt, pain and a desire for revenge, meet on the day of a storm at a cantina in the mythical town of Parián, a place where all roads and all destinies converge. There they find consolation for their woes in mezcal and in the distress of the others.

A meditation on violence and its recurrence in time. It shows circumstances that make vagrants unable to make their life better. They try to survive, albeit not sheltered correctly.

Malboro and Cucu, the starring characters, are two brothers who split after the older one, Malboro, went to prison five years. One day he is set free, willing to return to his life. Cucu is the younger brother, who has become a boxer with possible success, if only the beater he keeps somewhere inside, didn't arise in the worst moments. The relationship between the two brothers is somehow ambiguous, there's something unclear that caused Malboro's arrest. To complete the triangle is Uncle Jesus who has been like a father to them; a retired boxer who's always thinking about his past. Sara is Malboro's great love, a woman full of shame and resented after almost leaving her whole life behind to follow Malboro, but he failed in their attempt to run away because that same night, he got arrested by Rojas. Rojas is Sara's husband, a police officer who hates Malboro and will do anything to get him out of his way...

It presents the struggle of the first unionized workers, after a strike for the implantation of the eight-hour day and the union right, in the sugar valleys of Peru. It is the story of the first union in the city of Trujillo, organized in 1921.

Turmoil becomes the order of the day when a Mexican theatrical company begins its rehearsals of absurdist philosopher Albert Camus's “Caligula” for an influential upcoming international theater festival.

Two men and a beautiful woman are involved in a three-way relationship during a trip to Machu Picchu.

Three girls from different social classes are forced to take that first step into adulthood that leads them to live fun adventures and also unfortunate events.

Balo, Villarán and Domingo are lifelong friends in their 80s, attending the funeral of their fourth comrade, Quique. On a whim, and fueled by their animosity towards the departed's shrewish wife, they steal the urn containing the ashes and are thrust into a series of misadventures.

Coco is a boy who feels lonely because his father works all the time and his mother is always playing cards with other women. When he hears that his parents are planning to divorce, Coco makes plans to run away.

A story of two teens, brother and sister, who live with their dying mother in a rundown mansion in Zacatecas, sustain by a dangerously dependent relationship.

The aviation company for which Ricardo works gives a secretary a trip to Peru.

Mexican movie

Marcela, a former film star, seeks tranquility in the suburbs after marrying a wealthy industrialist. Her past haunts her with admirers and daily violence. Overwhelmed by a distant husband, a demanding child, critical in-laws, and loneliness, she escapes to an imaginary world to avoid the grim and the ugly.

Something strange is going on in Dolores' apartment house--or is it mainly in Dolores' head that the strangeness lies... When her best friend Eva is murdered on her doorstep, and her husband begins to have violent nightmares, it appears that there is definately something amiss in the world of delusional Dolores.

Story of love between Marimar and Sergio. Sergio is from a wealthy family, and Marimar lives with her poor grandparents in a hut in front of the ocean.

When Marichuy was born, her mother—believing she was on the verge of death—handed her over to a priest, who took her to an orphanage. At the age of fourteen, Marichuy ran away from the institution and began wandering from place to place, scraping together a living however she could. Years later, she was attacked by a drunkard; the incident left her harboring resentment toward men and plagued by harrowing nightmares.

Mundo de Juguete is a telenovela produced in Mexico by Televisa in 1974. It is a remake of telenovela Papá Corazón. This telenovela holds the record for having the second longest run ever for a Latin American telenovela, with a total of 605 episodes. Most telenovelas run for an average of six to eight months; the shortest ones run about four months, and the longest up to a year. Many "Mundo de Juguete" fans believe that either all or some of the tapes and film from the telenovela were lost when Televisa collapsed during the 1985 earthquake. Televisa has been secretive regarding which tapes were lost during that earthquake, so there is no way of confirming this. However, such claims can be disputed, considering that the Telenovela has been repeated on television several times after 1985. During the nineties, it was repeated on Mexico City Canal 9. For a period of time, it was also shown on Unicable or on Telenovelas Televisa remade the telenovela in 2000, and called it "Carita de Angel".

A brave, poor young girl is welcomed into a rich family and develops a romance with their misogynist youngest son, driving a woman already in love with him to go to great lengths to destroy their relationship.

This educating soap opera for children takes place at the 500th anniversary of America's Discovery. Some episodes are dedicated to some discoverers and historical personalities. Others are dedicated to historical events. This soap have as end to teach all the children of America the common roots of their origins.

Inocente de Ti is a Miami-based 130 episode telenovela that first aired on the Univision network in 2005. It features Camila Sodi, Valentino Lanús, and Helena Rojo.

Muchacha italiana viene a casarse is a 1971 Mexican telenovela by Televisa produced by Ernesto Alonso and directed by Alfredo Saldaña, starring Angélica María and Ricardo Blume. Writing credits belong to Delia González Marquez, Fernanda Villeli, Marissa Garrido, Miguel Sabido and Carlos Lozano Dana The series featured two theme songs: "A dónde va nuestro amor" and "Lo que sabemos del amor". Both songs were written by Eduardo Magallanes and performed by Angélica María.

Los hijos de nadie is a Mexican social drama telenovela produced by Miguel Sabido and Irene Sabido for Televisa and originally broadcast on Canal de las Estrellas from February 24 to June 20, 1997. Created by Miguel Sabido, with adaptation by Miguel Sabido, Verónica Suárez, Andrea Ordóñez, Rosa Ana Curiel, and Kary Fajer, the telenovela was supported by UNICEF to raise awareness about the situation of homeless children in Mexico. The story follows Doña Leonor, an elderly woman who loses her daughter and granddaughter in a tragic accident. Seeking to overcome her loneliness, she dedicates herself to helping a group of children living on the streets of Mexico City. Alongside Verónica, a young woman who brings hope to the children through her puppet shows, Leonor faces the challenges of poverty, abandonment, and the people who seek to exploit those most vulnerable.

Mexican telenovela remake of the Brazilian soap opera "Todo o nada". Patricia is a sensitive and intelligent woman who begins to work in the firm of Ambrosio and César Augusto (father and son). They both fall in love with her, but César Augusto breaks off his relationship with his girlfriend, Valeria and marries her. Patricia and César Augusto will separate, however, they will meet again later having totally different lives: she is a working woman and he is married to another woman.