Bob Ellis

The Australian Aborigines (in this film anyway) believe that this is the place where the green ants go to dream, and that if their dreams are disturbed, it will bring down disaster on us all. The Aborigines' belief is not shared by a giant mining company, which wants to tear open the soil and search for uranium.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

An eccentric elderly man tries to enjoy the three things in life that he considers real beauty: collecting art, collecting flowers, and watching pretty women undress.

When he discovers the world is about to end, a lovestruck teen makes it his mission to bed the girl he has fallen for.

A touching story of a likable, but somewhat slow, teenage boy who believes he has bought a major Sydney racecourse for $20. Based on the classic Australian novel of the same name by Patricia Wrightson.

Filmed during and after his time on the High Court of Australia, this documentary about Justice Michael Kirby explores the personal, moral and spiritual convictions of one of our most compassionate and incisive legal minds. Michael Kirby reveals himself in this film through a long-form interview in a way he has never done before. It was only at the age of 61 he publicly revealed for the first time that he had been in a homosexual relationship since 1969 with partner Johan van Vloten. This film represents the first time Johan has spoken publicly about their life together.

Maureen's biological clock is ticking, and she wants a baby. Her husband George is unable to oblige. When Maureen bumps into Geoff, a former lover from years ago she decides he might be able to supply the wanted seed. But the scientific controls on their weekend encounter soon give way to natural urges and the consummation is concluded with tenderness.

An anthromorphic tale, humans representing canines, of compulsive traits and raging desires. A gang of neutered men; fat, subdued and lazy, look out for their younger 'pup'- Rusty (Noah Taylor) who is always active and mischievous.

Hec, a sacked taxation clerk, seeks fame and fortune using the world of credit cards. Unfortunately for him, and the banks, he has no concept of credit card limit.

Water Rats is an Australian TV police procedural broadcast on the Nine Network from 1996 to 2001.

An Australian television soap opera, set in a tough fictional inner-city district called Westside. The stories revolve around the local community there. Created by Forrest Redlich and produced by Network Ten from 24 January 1989 to 13 May 1993.

Good News Week was an Australian satirical panel game show hosted by Paul McDermott that aired from 19 April 1996 to 27 May 2000, and 11 February 2008 to 28 April 2012. The show's initial run aired on ABC until being bought by Network Ten in 1999. The show was revived for its second run when the 2007–2008 Writers Guild of America strike caused many of Network Ten's imported US programmes to cease production. Good News Week drew its comedy and satire from recent news stories, political figures, media organisations, and often, aspects of the show itself. The show opened with a monologue by McDermott relating to recent headlines, after which two teams of three panellists competed in recurring segments to gain points. The show has spawned three short-lived spin-off series, the ABC's Good News Weekend, Ten's GNW Night Lite and Ten's skit-based Good News World.

Rafferty's Rules was an Australian television drama series which ran from 1987 to 1990 on the Seven Network. Rafferty's Rules was one of the first programs undertaken by the Seven Network's then new in-house drama unit, going into production in May 1985 as "a 15-part courtroom drama". The program had started out as a pilot episode, recorded in early 1984 with the actor Chris Haywood in the lead role. When the pilot episode was remounted later in 1984, Chris Haywood wasn't available and the lead role was re-cast to John Wood. This second recording was eventually broadcast as the program's first episode.