Halil Ergün

In this film that wavers unsteadily between a comedy and a tragedy, Murtaza (Mujdat Gezen) is a deluded security guard whose fanatical reverence for "duty" verges on the psychotic. He is incapable of seeing himself for what he is -- and as a consequence he is often the unwitting and unknowing brunt of jokes. His wife and daughters are painfully aware of his shortcomings, but they generally suffer in silence. One of the daughters ends up working in the factory to help the family out financially, and when Murtaza finds her sleeping on the job one night he hits her so hard she eventually dies from the blow. Though that is not the end of it, by any means.

Sivan, at around the age of 20, is a native of the Southeastern region of Anatolia. His father Saho is the leader of the Givdanli tribe who stays distant both to the state and to the insurgents who are influent in the region, in order to secure its existence. One day, Sivan meets with the girl he loves, Berfin in a field around the village. The same day the field is burnt by saboteurs and the whole harvest of the village is wasted. The investigation initiated after the incident, changes Sivan's life drastically. Taken in for an interrogation, Sivan is caught between the police and the insurgents. Thinking his son's life is in peril, Saho assures Sivan's fleeing out of the country. Taken to Germany by the help of a illegal network, Sivan is located in a refugee camp. However, in this new land whose language is alien to him, Sivan will go through an ordeal which will add a new dimension to the residue of his experiences in Turkey.

Francesco and Marta run a husband-and-wife design company in Rome. When Francesco's aunt dies in Istanbul he travels there to sort out the hamam Turkish steam bath that she left him. He finds a love and warmth in his relatives' Istanbul home that is missing from his life in Italy.

When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.

"Yolcular" is a 1979 feature film directed and written by Yavuz Pağda, starring Halil Ergün and Meral Orhonsay.

A group of women in a small village get organized against the macho men of the town.

The two friends Tuna & Fedai, who lead their lives with various mischief, decide to escape to Hollywood to fulfill their dreams.

Cazibe is a woman in her late thirties, who has never got married or had a relationship with a man in her life. She lives with her old mother and her uncle who feels an attraction towards her. The lonely woman, whose only existence is her small room, spends all her time in this old room, dreaming and fantasising about her ex-lover.

The movie 'Family Matter' focuses on the communication problems between two white-collar brothers and their parents. It deals with the consequences of the preference of video calls to face-to-face meetings brought to our daily lives by technological possibilities, and the process of this preference leading to the disinformation of family structure, internal communication of family members and social values.

Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.

When work accidents in a coal mine start to result in death, İlyas warns his colleagues working in the mine. It starts to collect signatures for the necessary measures to be taken, but the necessary solidarity among the workers cannot be established. A tent theater that comes to the region further complicates things.

A death row escapee unexpectedly saves a troubled young woman attempting suicide during a ferry crossing, and they find refuge together in a secluded house.

Kemal, who lives with his family in a small town, wants to go to Istanbul. He dreams of continuing his father's profession of shoemaking there. However, his father opposes Kemal's wish. Determined to leave the town, Kemal waits for his father to be persuaded. During this time, he falls in love with Gönül, a teacher in the town. Eventually, Kemal's father relents. Kemal moves from the town to Istanbul, where he will strive to realize his dreams.

Antti "Zombie" Autiomaa does two things well: play the bass guitar and drink. After several months' sleeping on the streets of Istanbul, he returns to Helsinki where he's called into the army but discharged on mental health grounds after adding turpentine to the officers' soup. Zombie lives bleary-eyed in an apartment off his parents' house where his lonely, unemployed father suffers from heart disease. His girl-friend Marjo has taken up with a hairdresser but comes back to Zombie. His friend Harri hires him as a roadie for his band "Harry and the Mulefukkers" then gives him a chance as a bass player. He has his girl and he has a gig, but can Zombie put the bottle down?

There is a story about a German second wife brought from Germany to a village in Erzincan.

Based on Osman Şahin's "Irgat Erleri" and Korhan Yurtsever's "Zincir," this film, adapted for the screen by Macit Koper, tells the story of a peasant couple who work as a night watchman (Zülfo) and a cleaner (Elif) at an amusement park. Before coming to the city, the couple worked as laborers in Çukurova and lost their daughter in a fire, which caused Elif to develop schizophrenia.

Yaprak Dökümü is an award-winning Turkish television series based on the novel of the same name by Reşat Nuri Güntekin. The series premiered on 13 September 2005 on Kanal D, and endеd its fifth and final season on 29 December 2010, comprising 174 episodes overall. The show is set in Istanbul, Turkey, and it revolves around the fictional family Tekin, which their arrival in Istanbul tears their family apart, and transforms them in a way they can't imagine.