John Hussey

Jack Carter is a small-time hood working in London. When word reaches him of his brother's death, he travels to Newcastle to attend the funeral. Refusing to accept the police report of suicide, Carter seeks out his brother’s friends and acquaintances to learn who murdered his sibling and why.

Travis is due to marry Stephanie in a few days when he is convinced by beautiful saleswoman Jonni to buy a fancy sports car. The car looks good, but it turns out to be a piece of junk. Travis is determined to get satisfaction and he and Jonni hit the road to confront the crooked car dealer.

The working-class Smiths change their initially sunny views on World War I after the five boys of the family witness the harsh reality of trench warfare.

In Charenton Asylum, the Marquis de Sade directs a play about Jean Paul Marat's death, using the patients as actors. Based on 'The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade', a 1963 play by Peter Weiss.

Rod Slater is the newly appointed general manager of the Sonderditch gold mine, but he stumbles across an ingenious plot to flood the mine, by drilling into an underground lake, so the unscrupulous owners can make a killing in the international gold market.

Uptight college freshman Jerry Payne finds a carefree friend in zany Pookie. After an awkward meeting on the bus, Pookie quickly works her way into Jerry's life. She makes an unannounced visit to Jerry's campus, and before long annoyance turns to affection, and friendship turns to romance. But with Pookie's increasingly neurotic behavior, how long can this love affair last?

In 1910, 19-year-old Horace Robedaux, still bitter toward his stepfather, goes to Houston to be reunited with his mother, Corella, and his sister, Lily Dale, following a long estrangement. He has not seen either since he was 12 because his wicked stepfather, Pete Davenport (whom his mother married after his father drank himself to death) believes a boy ought to be self-reliant.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

A girl is having trouble making the rent, so she advertises for a female roommate. A seemingly sweet and shy girl named Laurie moves in, and proves to be an insane killer!

Race-car driver Blaine Striker grows concerned about his younger brother, a student at a medical school on the Caribbean island of St. Heron. General Turner has led a violent coup on this island and may be planning to blow up the school in order to blame the destruction on counterrevolutionaries. Striker infiltrates St. Heron, is captured, stripped to his tighty-whiteys, and electrotortured. He escapes, joins forces with the counterrevolutionaries, and foils a plot to assemble Russian missiles on the island.

A British play about homelessness by Jeremy Sandford, writer of "Cathy Come Home", first broadcast as a BBC Play For Today. It details the deterioration of Edna, a homeless alcoholic and was made at a time when vagrancy was still a criminal offence.

A successful talent agent enjoys the good life until his wife leaves him. Moving in with his friend and igniting an affair with the man's wife, he also acquires a difficult new client whose public image must be preserved at any cost.

Michael Marler, a successful businessman in London, is about to make his way to the top. After 37 years, the death of his father brings him back to his hometown of Liverpool, where he’s confronted with his lost Irish roots. He finds out that his father died in a fight with some Anglo-Saxon teddy boys. It becomes a matter of honour for him to take his revenge without involving the police.

An increasingly obsessed detective chases an escaped rapist across the Southwest and enters into a complicated relationship with one of the victims.

A disgraced sports presenter falls victim to an accidental head trauma and slips into a coma. He awakens months later to find that South Africa was not as he left it, he is now in the New South Africa, and his multimillion-Rand idea has been stolen from beneath him.

A beautiful woman must perform feats of bravery in order to inherit a $28 million fortune and win the man she loves.

Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

An anthology of single plays offering up adaptations of either of prominent stage plays or novels.

Horror stories by Edgar Allen Poe dramatized and introduced by horror actor Sir Christopher Lee.

Rogues' Gallery was a British television series which first aired on ITV between 1968 and 1969. It was set around London's Newgate Prison in the 18th century.