Tony Fields

A night at the movies turns terrifying when Michael and his date are attacked by zombies. Released at the height of Thriller’s success, the short film redefined the music video, broke racial barriers, and became the first inducted into the U.S. National Film Registry.

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.

Eddie Weinbauer, a metalhead teen who is bullied at school, looks to his heavy metal superstar idol, Sammi Curr, for guidance. When Curr is killed in a hotel fire, Eddie becomes the recipient of the only copy of his unreleased album, which, when played backwards, brings the rocker back to life. As Halloween approaches, Eddie begins to realize that this isn't only rock 'n roll...It's life and death.

Jack McKee is a doctor with it all: he's successful, he's rich, and he has no problems.... until he is diagnosed with throat cancer. Now that he has seen medicine, hospitals, and doctors from a patient's perspective, he realises that there is more to being a doctor than surgery and prescriptions.

Two young women bond while living together out in the California desert to be close to their boyfriends who are serving time at the nearby state prison.

Caught in the web of inner city violence, extortion and drugs, Dean Costello is a small-time gangster with big-time dreams for himself and his autistic son, Shane. When his marriage to Ludy falls apart the doctors tell Dean that there is no hope for his son, he turns to a wealthy child psychologist, Stephanie "Stevie" Bloom in a final effort to reach Shane. Stevie tries to convince Dean that he must commit himself to Shane and leave behind his life on the streets. But Dean's violent world continues to haunt him, and threatens to destroy the dreams he has for his son, for himself, and for Stevie. In a final battle, he must face overwhelming odds... alone.

It’s Harold Blodgett’s birthday, and the poor guy’s having a rough time of it. The alarm clock won’t shut off, his wife won’t wake up, the cleaner’s neglected to get that annoying stain out of his trousers, and so on. To cap it off, when he returns home from the office that same day, he finds a mysterious pair of shady characters lounging around his apartment. According to them, Harold hired them to murder his wife, and they’ve done just that. Have they? Did he? What’s going on here?

Blue-collar worker Vince stumbles into a dance school, where he quickly becomes entranced by the music. Miss McKenzie, the school's manager and former owner, is about to throw him out on his ear when Moon, the school's rebellious new jazz instructor, vouches for him. Although the school's new owner has insisted on bringing in Moon as a teacher, Miss McKenzie absolutely hates him and the influence of his mordern music, and will stop at nothing to see him (and Vince) thrown out for good.

An unassuming mystery writer turned sleuth uses her professional insight to help solve real-life homicide cases.

L.A. Law is an American television legal drama series that ran for eight seasons on NBC from September 15, 1986, to May 19, 1994. Created by Steven Bochco and Terry Louise Fisher, it contained many of Bochco's trademark features including a large number of parallel storylines, social drama and off-the-wall humor. It reflected the social and cultural ideologies of the 1980s and early 1990s, and many of the cases featured on the show dealt with hot-topic issues such as abortion, racism, gay rights, homophobia, sexual harassment, AIDS, and domestic violence. The series often also reflected social tensions between the wealthy senior lawyer protagonists and their less well-paid junior staff. The show was popular with audiences and critics, and won 15 Emmy Awards throughout its run, four of which were for Outstanding Drama Series.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. Similarly to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode features a different monster, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.