Jece Valadão

This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.

Bruno is a physician whose license had been revoked, due to some ethical problems in the past. He gathers some criminals to kidnap the children of two powerful bankers. While the police faces contradictory evidence and clues, Bruno starts killing the other criminals, to keep the ransom for himself.

A cleaner accidentely stills a secret formula and get mistaken for the heir prince of an old kingdom.

Bebeto is a playboy who commits a passional crime killing a friend because of his fiancee. Feeling cornered he kills other four people to survive and scapes to the countryside where meets Quinzinho, a professional hitman who protect him. Then Bebeto starts a romance with a local woman causing the wrath of the population and forcing him to leave.

Two sisters are newly married; Guida to Paulo and Lígia to Décio. They spend their honeymoon in the apartment, a gift from the father of the brides. They will live there. Just a wall separating the intimacy of the two couples. Guida and Paulo are very happy. But on the other side of the wall; Ligia and Decius were never able to consummate their marriage. Decius is impotent and Ligia decides to commit suicide. To avoid the tragedy Guida, asks her own husband Paul to sleep with her sister for one night to help her losing her virginity. But when they continue to see each other, Guida gets jealous.

Zionists hire a hitman to kill a Nazi war criminal exiled in a Latin American country, where he's being protected by the local dictator. Get ready for gunshots; sex scenes; strange form of tortures; a cocaine-addict priest who helps the dictatorship; contemptous remarks and behavior from the main "hero"; amusing sequences of Chuchu having fun with beautiful women pretending to be James Bond; and the wimp colonel who is in love with a male prostitute. It's all good and fun to watch but remember that this is a product of its era, so it's quite possible to see some objectionable things. But for the most part it's never crass or insanely offensive.

The life of Brazilian soccer player, Garrincha, considered to be one of the greatest players of all time, with his uniquely original style. He had arched legs, a passion for women and booze. Also had a much talked extramarital affair with singer Elza Soares and died in relative decadence. The movie focuses on his zenith, from 1953 until the World Championship and the Rio Regional Championship, in 1962.

Released from the Mental Health Wing of São Paulo State Penitentiary after forty years, the sadistic undertaker Zé do Caixão is back on the streets, haunted by ghostly visions and spirits of past victims but still set upon the goal that sent him to prison in the first place: finding a woman who can give him the perfect child.

A man leads a double life: during the day, he's the manager of a car shop but, when the sun goes down, he becomes a crook, pretending to be a playboy (the target being old women), a sultan who is gathering money for his cause, helped by a fake baron and his beautiful daughter.

A talented songwriter of sambas is forced to face the social injustices of the city around him.

In the favelas of Rio de Janeiro, the work of two young priests.

Otavio has to find and marry Madame Bettina's daughter if he wants to inherit her fortune.

In the early seventies in Rio de Janeiro, detective Mariel Moryscötte de Mattos belonged to a special police force called "The Golden Men". This powerful group of the elite of the police was created with the intention of eliminate crime from Rio de Janeiro, and they had privileges above law to expedite their action against the outlaws. However, absolute power in wrong hands corrupts, and this group formed the "Death Squad", executing criminals without the conventional trial from the justice.

A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

After a powerful outlaw dies, a reporter interviews his lover and gets three different stories about the legendary man.

Three young women sharing a room in a boarding house owned by a very strict matron dream of becoming famous in show busines

A behind-the-scenes look at the making of Glauber Rocha's 1980 production "A Idade da Terra" (The Age of Earth), including unedited clips taken from the sixty hours of recovered raw footage.

Renato and Miro are black brothers raised by a white family in an old mansion in Rio de Janeiro. Renato, a graduated lawyer, has always looked for dignity, winning in life due to his honesty and search for social recognition. His brother, on the contrary, is a rebel small time crook who believes his behavior is the product of the treatment he received while being rased by the whites.

After being exiled for 26 years, Tieta returns to her native village in Bahia, bringing chaos and upheaving the local order.

A young man must choose between two women. The one brings him the money, but the other he loves.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

Twenty years after seeing his family decimated by gunmen, Ben Silver returns to Albuquerque to take revenge on the person responsible for the massacre, but falls in love with his rival's daughter.

The telenovela tells the story of Francisca Moura Imperial, a wealthy businesswoman, and her two sons: Jordão and Tiago, who show little interest in the family business. Jordão is the product of a whirlwind romance in Francisca's youth, while Tiago was born from her marriage to Roberto, a seductive man who moves in high society but is penniless. Francisca is preoccupied with her sons but cannot interfere in their lives as much as she would like. Eccentric and full of outlandish ideas, she decides to undergo plastic surgery, which makes her look 20 years younger, believing that this will bring her closer to Jordão and Tiago. Francisca's greatest concern is that at least one of her sons will marry and give her a grandchild, thus ensuring the continuation of the family name.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

In the 1950s, Lurdinha and Marcos fall in love at the first sight. She studies at the Institute of Education, and he studies at the Military College. Two traditional educational institutions in 'Tijuca', in the North Zone of 'Rio de Janeiro'. But Lurdinha's conservative parents reject Marcos because he is son of separated parents and try, in every way, to keep him away from her.

Brutal murders take set during the new production of "Marilia De Dirceu" at the Theatro Municipal in Rio De Janeiro. When Cristina Andreatti, daughter of famous Brazilian musician - Gastão Andreatti, takes the lead role, replacing La Carlota Alencastro, Cristina falls on the hands of a mysterious masked man who claims to be Alfredo do Vale, a musician who was killed in a brutal accident years ago.

Maria Moura loses her father in childhood and at the age of 17 finds her mother dead at home. Believing her stepfather to be the killer, Maria seeks revenge for her mother's death.

Cabral is a writer who decides to spend his summer writing a series about love stories. It is then that he begins to look back over his life and his works. He is married to Glorinha, a woman twenty years younger than him, with whom he has a daughter, the young Samanta. Glorinha dreams of having a second child, but Cabral rejects the woman's desire, creating a stalemate between the two.

Anesio Gebara is well known in Rio de Janeiro: he owns a samba school and he bankrolls an illegal lottery. This drama series follows this man--who is seen throughout the city as a mob boss and probable drug trafficker--his family and his complicated relationship with his sons.