Morgan Beck

A cynical anti-American Hollywood filmmaker sets out on a crusade to abolish the 4th of July holiday. He is visited by three spirits who take him on a hilarious journey in an attempt to show him the true meaning of America.

A comedy about a couple who, on the brink of divorce, must take a family road trip across the American Midwest.

This is a student film made while Adam Bertocci was enrolled at Northwestern University, but compared to many other student films I have seen, it is head and shoulders better. It has excellent writing, direction and a professional quality about it you might not normally expect--plus the film is cute as can be with a really clever story. However, given that I have seen another of Adam Bertocci's excellent short films, LOVE: THE MOVIE, I actually was expecting something special--as LOVE was a heck of a fresh and entertaining film as well. Both films, it turns out, have already received awards and I certainly am not surprised. In fact, I can't wait until Bertocci "turns pro" so to speak--in other words, moves to Hollywood and makes a bazillion bucks making more nice little films--but with bigger budgets. Keep an eye out for this guy.

Every summer, Jon (Jon Schmidt) gathers ten friends together in his adopted city of Los Angeles to play the Turkey Bowl – bringing a piece of small-town tradition to the urban sprawl – all for the beloved prize for the winning team… a turkey. Friendships flare and fade, jealousy is met with both laughter and pain, old and unrequited love threatens to remain old and unrequited, and all of these undercurrents are revealed in the unique, improvised rhythm of backyard football.

Before there were parenting blogs, trophies for showing up, and peanut allergies, there was a simpler time called the '80s. For geeky 11-year old Adam these were his wonder years and he faced them armed with a video camera to capture all the crazy. The Goldbergs are a loving family like any other, just with a lot more yelling.

Echo is a member of a highly illegal and underground group of individuals whose personalities have been wiped clean so they can be imprinted with any number of new personas. Confined between missions to a secret facility known as the Dollhouse, the "Actives" are hired by the wealthy, powerful and connected to wholly become—with mind, personality and physiology—whomever the client wants or needs them to be. They know no other life than the specific engagements they are in at that time—or do they?