Enikő Börcsök

A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.

A cardiologist is sent into retirement, but he feels at loss without his work. He returns to his home village to work as a general practitioner. This is the start of his ordeal: he's confronted with raw reality, which finally brings him to his knees. But music has the last word.

This film tells the story of a few uneventful days in the life of six pals. Lali, a great fan of America, owns a sandwich stand on the side of the road, called The Glass Tiger. Gaben pinches cars; Fox is a petty swindler; Sanyi a half-wit homeless; Coco can't shut up about getting some dough and going to America; Slimmy keeps playing the saxophone, despite the others' frayed nerves. Gaben talks Lali into buying an old Chevrolet Impala, the real American dream. After the long escapade of getting the car, Lali doesn't even get the chance to try the Chevvy out, because a truck completely demolishes it. Fox in the meantime is looking excitedly for the "Wreck", what he has been trying to sell for big money. But Lali has sold what he thought to be scrap, not good for anything. Fox is threatened by some tough guys to bring it back or pay up. He has to get money at all costs...

It is Dr. Borlai's job to tell the patients that they just have a few days left. But one day his colleauge tells him this story. So the sample husband the best father and doctor comes up with a devilish plan. To ruin every relationship that he is in so the loved ones will let him go easily. And when he achieves this he is still alive but he should be in the cemetery long ago.

The story of a love-triangle is recounted through Anitas memories and jagged monologue. Anita is tremendously naive and in love, Laci is a petty small-town gangster with great powers of persuasion and the secret lover of Szilvi. The three of them leave for Vienna, where Laci sells off the two girls to a peep-show for some small money.

A drug-addicted doctor who works in an asylum discovers that one of his patients is a gifted writer.

Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...

The story shows Emma's and Böbe's fight for survival, for keeping their position in society which they achieved with hard work in the previous regime. They don't want to lose their place and become village girls again.

The slow decay of a marriage sets the stage for this drama, which is leavened with understated humor. In 1988, Jozsi (Gergely Kocsis) is a Hungarian laborer who decides to marry Elizaveta (Eniko Borcsok), a woman of Hungarian descent living in the Ukraine. 1996 finds Joszi and Elizaveta the parents of a young girl, but otherwise their marriage is a shambles; Jozsi has become an alcoholic and Elizaveta has decided she needs to strike out on her own for the sake of her child. Shot on digital video as a project for Hungarian television, Paszport was directed by Peter Gothar, who previously made the international success Megall Az Ido.

Emerenc, an elderly and private woman, is hired to be the housekeeper of a struggling writer, Magda. An event in the writer's life prompts Emerenc to disclose details of her traumatizing past, which will bond the two women forever. Based on the novel by Magda Szabó.

Depicts the slow decline of three individuals as they are sucked into a world of sinful existence. It is the story of a wild and voracious love triangle.

Death does not select, man does. Set in Budapest, Heavenly Shift offers an eerie insight into the everyday lives of a rather extraordinary ambulance crew. The films main character is Milan, a young refugee from the Balkan War, who joins a team of paramedics but inadvertently ends up involved in the funeral business in order to finance his fiancee s rescue from the hostilities.

Waiters’ competition at Heroes’ Square in the late thirties. Dressed as waiters, Kapa and Pepe awake in the bronze chariot of the millennial sculpture group. They drive along the Danube promenade, and on the concrete reinforcement of the demolished Budapest rondella hotel they get involved in a showdown of political background. In the burnt-down Sports Hall the waiters train for a last supper, Pepe and Kapa run around the big laid table with trays in their hands. While doing so, Pepe keeps crying out: "I am the best one, I am the most beautiful one, I am the king, I am the god..." Sitting in a boat on the Danube, a ship goes past them, and the Niagara falls, majestic and breathtaking, resound in their ears. On each passing away something new will come to life – as rapped by Sub Bass Monster.

This drama follows the dilemma of a young, unwillingly pregnant wife who gives her child up for adoption by a businesswoman. Anna doesn't need another mouth to feed. She can barely afford to care for the two she already has so when she discovers that she is six weeks pregnant she readily accepts the cash offer from Terez, her tough boss at the store where she works. If she will isolate herself throughout the pregnancy, secretly bear the child and immediately allow Terez to sign for it, Anna will receive $50,000. Most of the story then focuses upon Anna's emotional processes as she evaluates her choice. Included are dream segments and shots an unborn baby in the womb.

Sweet Anna is sent as a maid to the Vizys immediately after the fall of the revolution in 1919. Since the death of her daughter, Mrs. Vizyné has devoted all her emotions and energy to the "education" of the servants. Anna is sometimes pampered, sometimes humiliated. Her nephew Jancsika seduces the young girl, who wastes all her repressed love on him. Jancsika leaves him, and when Anna wants to leave the Vizys, Vizyné, in a fit of hysteria, blackmails her and holds her back. The morning after a house party, Anna murders her hosts.

Gertrúd is a middle-aged music teacher. She lives with her art-restorer husband and their teenage son. She is weary of family life, and her relationship with her husband leaves much to be desired. Gertrúd’s settled world is turned upside down when a former student of hers, the beautiful Albán, suddenly shows up. Her presence prompts questions about the past, present, and future. Reality, memories and dreams intermingle dangerously, and the old family roles slowly begin to change. “I wanted this film to be like an enchanted box full of stories and surprises”, Péter Gothár explains. “Its drawers are meant to open in a mysterious rhythm, offering joy and food for thought. First, there was the music of Bartók, which then became the film's main organizing element. It formed around the music – this whole family story full of love and irony”.

The sisters have been living in a Soviet barracks in Hungary for eleven years. They long to go to Moscow, but they are drawn here by habituation and inertia. Their father, the brigade commander, is dead, yet they are unable to act and prefer to remain in the closed world of the barracks. So the plot is the same, only the setting has changed.