Sushmita Mukherjee

An employee at an Indian call-center travels to San Francisco to be with a guy she falls for over the phone.

Anil is an ethical man who lives by his principles. This impresses Dwarka, a millionaire, who wants to make him his son-in-law. However, after marriage, he insists that Anil move in with his in-laws.

Dia is a divorced mom living in New York and must go back to India after she receives news that her guru is on his death bed. When she arrives she finds he is gone and has left her the responsibility of saving and reviving the Ajanta Theater where she used to dance. The problem is that the political officers want it torn down and turned into a shopping mall. The storyline follows Dia and her challenge to stand up for what she believes in and fight the cause to the end, while trying to win back the love and support of the people of the town whom she walked out on ten years prior.

A new bride's arrival turns a turbulent household in Meerut into a picture of domestic harmony, until her brother-in-law grows convinced that his seemingly perfect sister-in-law is secretly a witch.

Two straight guys pretend to be a gay couple to secure a posh Miami apartment, but fall for their gorgeous roommate. Hilarity ensues as they strive to convince everyone of the ruse while secretly trying to win her heart.

A 15-year-old Maahi, who hails from an rich family, falls in love with Kabir, a 17-year-old. When she becomes pregnant, their families' opposition forces the couple to elope.

It is a story of Kabir, a carefree guy who has been studying engineering for the last ten years now, whose life goes for a sixer when he meets the quirky and kinky Kuhu. Kabir always wanted a girl to love but he never in his wildest dreams thought he would encounter a girl who could make him dance around circles, run around naked, ride cycles without seats, wear high heels, and many other things

Kapil and Somya fall in love, get married and are happily living in a joint family. However, soon the love fades away and the couple is on the verge of a divorce, but not a real one as a twist awaits the two families.

Two brothers -- Ranvir and Rajvir along with their parents move to Mumbai. They endure numerous hardships, but their will to survive prevails and they succeed. Soon, their parents pass away, leaving young Rajvir in the care of Ranvir. Now wealthy beyond any means, Ranvir runs the business and Rajvir lives recklessly. When Rajvir falls in love, Ranvir arranges his marriage, but to his dismay finds out that he has arranged his brother to marry the girl he loves.

Narendra is the owner of a newspaper that faces financial difficulties. His wife comes from a rich family and refuses to assist Narendra with his problems, and complains about his financial inadequacies all the time, and takes off to visit her family frequently. Financial difficulties compound to such an extend that Narendra may be forced to close his newspaper, and his health also suffers. Will his wife and her family help him now? Excellent acting scores from the entire cast.

Ashok Bansal has a traumatic childhood which teaches him that money matters most to people, even more than their kids. Ashok starts hating poor people & starts working hard to get out of poverty, at the expense of his own family. However, Ashok’s life changes forever when Munna enters his life.

Four runaway cons take shelter in a bungalow owned by an old blind couple.

The Verma family consists of two brothers, Vijay and Sharad (Jeetendra and Govinda respectively), Vijay's wife, Ganga (Reena Roy), and their daughter. Sharad is unmarried and is studying in college, while Vijay runs the household on his income. In college, Sharad meets with Punam (Meenakshi Sheshadhri) and both are attracted to each other. Ganga and Vijay get them married, but permit them a married life only after they complete their studies, which they do so. They are devastated to learn that Punam cannot be a mother, so Ganga lets Punam mother her child. Soon Sharad gets a job, which gets him to re-locate to another city, and there are tearful good-byes. Punam decides to keep Ganga's child with her. But Ganga has been kind to Punam and Sharad for a reason, and now the time has come for payback.

Fedora's Wrinkles has a strong storyline, The story is based on office emotion, man behavior, and ego, a story with pure music and very power-pack performance and a higher marketing strategy to be used. These series make will be treated in Hollywood style with Bollywood masala. The web series will have a stronghold in the audience of 21 to 50 yrs age audience. And will also create a thought in the minds of people above 50 yrs Overall a family entertainment.

Inspector Ram succeeds in nabbing notorious criminal Ballu. When Ballu's escape taints Ram's name, his fiancee, Ganga, decides to trap Ballu. But, things get complicated however, when Ballu falls for her and she finds that she isn't entirely immune to his charms.

Assistant Commissioner of Police, Uday Dhirendra Thakur, is a rogue cop, known for his relentlessness in pursuing criminals, and bringing them to justice, failing which, killing them in false encounters. It is this reputation that gets him transferred to crime detection, and counseling at the hands of Dr. Mehak...

An emotional Mumbai-based football player, Rohan (Shivdasani), seeks the assistance of childhood friend, Simran (Reddy), to successfully woo fellow-collegian, Preeti (Sharma). Simran herself is about to be engaged to U.S-based Vicky (Malik). After the engagement ceremony, Vicky returns back to the U.S - not realising that back in India nothing is the same anymore...

The life of three friends takes a tragic turn when inflated electricity bills despite frequent power cuts in a hilly town up north of the country expose the rotten system.

Two womanizing bachelors fall in love with twin sisters who run a sex addiction clinic.

Sir is a 1993 Bollywood film directed by Mahesh Bhatt starring Naseeruddin Shah, Pooja Bhatt, Atul Agnihotri and Paresh Rawal.

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

Shivangi lives in London with her husband Veer Singh. One day, he receives a gift from Rajasthan. From then, strange things happen with Veer and his condition deteriorates.

Kailashnath is a wealthy widower, who lives in a palatial house with three grown sons, Randhir, Rajiv, Rishi, and a younger school-going son. He manages the business on his own, but would like his sons to also take an interest, in vain though, as all three have their own interest at heart (being a Bollywood actor, singing, and boxing) and no interest whatsoever in running a business or seeking employment. To add to this, Kailashnath must now contend with a new neighbor named Kaushalya, a widow, with three daughters (Komal, Kavita and Kanchan) and a rather plump maid-servant by the name of Guddi. It so happens that the daughters have similar interests as Kailashnath's sons. So the six match-up, romance, have fun, and would like to get married. Kailashnath refuses to permit his sons to get married until and unless they establish themselves and are able to stand on their respective feet...

Host Farooq Shaikh interviews many well-known Bollywood faces as well as television celebrities and gives a peek into their private and professional lives.

When an investigation into a pharma company hits close to home, five women launch a tiffin service with a secret ingredient.

Kulvaddhu is an Indian television drama serial produced by Anuj Saxena's production house, Maverick Productions. It first aired on Sony TV on 25 December 2006 and ended three months after its launch date.

When yet another married couple within their friend circle files for divorce, Rishabh and Shefali Malhotra fear that their marriage too may just be a ticking time bomb waiting to explode. They decide to seek professional help from a puzzling therapist who dredges up the most embarrassing and bizarre moments in the Malhotras' family life. This ranges from the quality of their sex life, the quirks of their three kids to the antics of Rishabh’s annoying mother.

The romantic comedy, unfolds the journey of 27-year-old girl Isha Sanghvi, who in her relentless pursuit of perfection faces a whirlwind of uncertainties that life throws her way and ..

A retired govt employee Jagannath Mishra struggles to cope with a sense of loss of purpose in the autumn of his life. But when a young, vulnerable girl with messed up emotions enters his life unexpectedly, he unwillingly gets involved. In their journey to find justice and rehabilitation for the girl, Jagannath and his wife Kusum will have to face many suppressed demons of their own lives and the journey will eventually lead them to ease strained relations with their own children and grandchildren.

Gaura's world goes into a tailspin after her deceased mother-in-law haunts her. With a spooky-yet-sassy Saas keeping tabs, will she be able to change her fate?

One night, while searching for his lost love, a young man accidentally calls an unknown girl named Pakhi. Their unexpected conversation goes viral overnight, turning him into an instant sensation across the state. With the assembly elections around the corner, powerful political parties rush to exploit his sudden fame. The ruling strong man Sinduri Pan Sinha and the opposition launch an aggressive hunt to uncover the identity of the mysterious Pakhi, believing she could influence the political narrative. Caught in the middle is Panpatti, the boy's mother, who must protect her son from becoming a pawn in a ruthless political game, while Pakhi struggles to keep her identity hidden. This is the story of two women Pakhi and Panpatti, whose lives become unexpectedly intertwined in a gripping tale of love, politics, power, and survival.