Vesna Trivalić

An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

Sultana and the bootmaker's wife Pela looks very much like each other, with replacement clothing and residence, Sultana becomes Pela and Pela becomes Sultana. The consequence of disguise is that the Sultana are undergoing torture from Pela's husband which changes her nature, which makes positive impact on her environment. The script abounds with musical numbers that contribute to the atmosphere, establish era and the place of action, and in this play bring vaudeville jollity.

Set during the Bosnian war in the early 1990s, Luka is a mild-mannered railway clerk whose life is turned upside down, not just by the outbreak of the war, but when his wife runs off with a local musician. Then Luka's son is conscripted and eventually captured in the fighting. To recover his son, Luka is commanded to guard a pretty young Muslim nurse who will be used in a hostage swapping operation.

An impoverished Russian aristocrat spends his days in a fashionable German town waiting for news from Russia about the death of his rich grandmother, so that he can repay his debts to a troubled French adventurer and marry his troubled cousin. His stepdaughter Polina also expects the inheritance.

Miljenko, a successful Croatian businessman, receives the news that his company has just filed for bankruptcy. Things seem to be looking up, however, when his daughter announces not only her engagement, but also her pregnancy and upcoming nuptials. The only caveat? The love of her life is none other than the son of the Serbian prime minister.

This story about two maternal half-brothers, a Croat and a Serb. Although they never met, and both lose their loved ones in ethnic clashes, there is a bond between them. Filmed in 1988, it prophetically forsees the war that would engulf former Yugoslavia three years later.

Angel and the devil fight for the soul of a Belgrade playboy who made a young girl pregnant.

The story of a woman who firmly believes that her newborn baby was stolen from her more than 20 years ago, while she was told that her baby died.

Anica (60) resists her ongoing chemotherapy while perceiving her daughter’s care as an assault on her dignity. Vlatko (60) is an alcoholic and a loner, completely written off by his work colleagues. Filled with mutual contempt, Anica and Vlatko separated long ago and seemingly no longer communicate. On their drawn-out paths toward oblivion, they search for an ally who will hear their desperate cry for the will to live.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

This TV drama is the graduate work of a screenwriter which deals with the maturation process of three characters of different age: a 12-year-old girl, a 30-year-old man and the 50-year old girl's granddad.

In a way of protesting for inhuman living conditions and the shortage of medications caused by the disintegration of Yugoslavia and its sanctions, a doctor in a hospital decides to close his clinic for mental illness. His wish is to return the patients to their homes or give them to someone who is willing to accept them temporarily.

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

Overcome by an irrational rage, a 17 year-old hatchet man kidnaps his boss who had managed to cover up his true identity and become part of the establishment. The Kid takes this one time hero of his to a hideout in a huge, deserted steel mill where the two experience a kind of enlightenment after some twenty hours of infernal games and agony.

Following the comical adventures of the tenants in a seemingly ordinary building in Belgrade, situation culminates thanks to bad pipes and the mysterious underground waters to a temptation that, in the end, catches them all unprepared.

A slang-filled urban comedy involving a group of youths who call their friends over the telephone to chit-chat and spread gossip.

This film follows two Belgrade youths on their rise to gangster legends in a decaying society.

Urban comedy, happening during a night in Belgrade. Mare, Pop and Gojko are three friends who grew up together. Mare and Pop have always been musicians, while Gojko (who was harassed by them in school and nicknamed 'Sissy') became a 'guy in suit', boss of his own club and recording studio.

Mihajlo, an introvert piano teacher starts romance with a pretty careerist who teaches modeling at the university in Belgrade where they both work. His feelings are awakened after a long period, but this relationship makes him see the flashbacks, as well as yet unseen images that remind him of his troubled childhood - as if he experienced this already. When their university wins a contest to hold public TV performance, Mihailo fails to play the piano on the decisive night and she dumps him. The boiling point is about to come.

In 1960s Yugoslavia two members of the national security services arrive at an impoverished, remote female monastery to find a suspected monk.

Belgrade in 1963. In a yard surrounded by buildings, a group of young people of different backgrounds and social status, but of similar views about love and self-affirmation, spend their time together. Their friendship is dyed with various events typical for socialism, such as working actions or Youth Day's parade. All what happens within this yard may become an allegory of one generation's destiny.

A sitcom that follows intertwined lives of three couples set mostly in the building in which they live and the café owned by one of these people.

It follows the two lead characters, Svaba and Ekser, as they try to make a living on the streets of Belgrade through the life of petty crime. Making matters worse is the fact that Shvaba owes a lot of money to a local big-shot criminal. And just when things seem lost for the two men, Shvaba's mother inherits a house in Baranda - a village near Belgrade no one's ever heard of. As Shvaba and Ekser happily rush to Baranda, hoping to sell the house and solve all their problems, the villagers are equally happy to see them, thinking that two businessmen from Belgrade are finally taking an interest in their village...

Otvorena vrata, is a Serbian comedy television series filmed in 1994-1995. Broadcast on state television RTS, it ran for 2 seasons featuring a regular family living in Belgrade during the 1990s. The show was created by Biljana Srbljanović and Miloš Radović, starring Vesna Trivalić, Milan Gutović, Bogdan Diklić, Nikola Đuričko, Sofija Jović, Bojana Maljević, Olivera Marković and Zoran Cvijanović, with guest stars such as: Mirjana Karanović, Nikola Simić, Seka Sablić, Branka Katić, Mira Stupica. The show had many reruns over the following years, and acquired a cult following. In spring of 2012, after the Serbian presidential election results were announced, Bojana Maljević announced on her Twitter account that she and Biljana Srbljanović were thinking about doing another season of the show. In the following days the idea of the third season was officially confirmed and members of the original cast started announcing that they would take part in the project.

A story about three teenagers rejected by their parents, who leave their reform school for a wild weekend. 11 episodes in total.

Trieste in 1807. Dositej Obradovic, founder of modern Serbian literature and the minister of education, goes through a creative and spiritual decline because of love of a young woman. Despite his old age, he can't resist this strong emotional flame, and subsequently travels to Belgrade following his agreement to be the leader of the Serbian uprising against the Ottoman Empire.