Caterina Guzzanti

When a member of their fantasy football league vanishes on his wedding day, a motley group of friends recount the lead-up to his chaotic bachelor party.

Diego is a successful entrepreneur. Rich and not caring for the good of others, no scruples to belittle the next. His attitude turns against him when he forgets in his airport bathroom his latest-generation mobile phone with social profiles, contacts and credit cards.

A bumbling Christmas elf whose Santa's helper job is jeopardized by a complete inability in building toys teams up with a kid harassed by bullies.

35-year-old Alice has a husband and a son. Her life seems a beautiful dream, but it soon turns out to be a nightmare. Her husband dies in a car accident and her lawyer tells her that she is on her uppers. The only way she has to earn money in a short time is by resorting to the oldest job in history.

Gabriele is a divorced dad who owns a music store and is completely focused on taking care of his 10-year-old daughter Sofia who spends time with both parents. One day he bumps into his old friend Mara who - for the first time since his separation - reignites his desire to be in a relationship. There is only one problem, Mara hates children!

At a rehab center, 3 unlikely friends, an awkward psychology student on placement, a misbehaving student, and a reformed troublemaker - bond over hilarious misadventures and heartfelt advice, facing life's challenges together.

Irma, Eugenia, Miranda and Rina are four different women, each with their own character, their own weaknesses and their own eccentricities, but linked by a deep and lasting knowledge over time, united and marked by their essential card games. When they decide to participate in a national buraco tournament and get out of their everyday life, they will suddenly find themselves with their cards exposed. Life always offers a second chance and love can go back to upsetting at any age. After all, it is the game of burraco that has taught him that a game must be played completely, to the end, and that no result is ever taken for granted.

A director and his crew attempt to make the transition from the small to the big screen.

A film in four episodes, each one describing a special love story in today’s Italy.

Teenage Elsa has leukemia, and she needs a bone marrow transplant immediately. The only compatible donor? Someone she’s never met and whose name she doesn’t even know: her father. But thanks to Edo, a boy her age she met in the hospital, outgoing and irreverent, she decides to go on and find that man. Apparently, Elsa and Edo have nothing in common except for the illness they both share, but the journey they embark on together will change their lives forever.

When the kooky tenants of an apartment block experience a sudden and shocking situation, they let their private lives, past secrets and crazy passions intervene as the confessions and absurd twists come thick and fast. Previous lovers, wild accusations, a possible murder and more boil to the surface days before New Year’s Eve, but can they even make it until then?

In 1938 a group of fascists led by the general Gaetano Maria Barbagli decides to invade the planet of Mars.

25-year-old philosophy major Marta faces the ugly truth for many young Italians — a complete lack of career opportunities. While babysitting for single mother Sonia, she starts to work as a telemarketer, experiencing first-hand the fanatical and exploitative rat-race culture pushed on employees while quickly rising through the ranks of the company. Around her revolve people like delusional supervisor Daniela, her womanizing boss Claudio, fragile coworker Lucio "2", and well-meaning but inconsistent union rep Giorgio.

Bimba, a superficial showgirl, full of herself and lacking in talent, discovers she is a clone. More angry about the template chosen for her than the experiment itself—an American actress who was famous for a few months and then forgotten—she decides to make her own way in the difficult world of show business, in a surreal world of intrigue and revelations.

In a parallel universe, live people’s precious consciences. They all feel disheartened, demotivated, and unheard, except for Otto (Francesco Scianna). He is the top-ranked conscience, because his human Filippo (Filippo Scicchitano) follows him blindly, guaranteeing him happiness.

A psychoanalyst learns to have an illness and as a consequence he decides to quit his job. All his patients get together to find a way to make him feel better.

Massimo Marinelli Lops and Giulia Colardo meet by chance in Rome and fall in love. Giulia asks Massimo to spend Christmas Eve with her family.

Nicola, a policeman in Puglia, is a reformed ladies' man with his heart set on marrying the daughter of the Indian ambassador.

After the Arcangelo affair, the Pasti brothers, together with an eccentric half-sister they didn't know they had, have made a name for themselves as "gravediggers of VIPs" and are vying for a coveted category award never won before, the Vespillone D'oro. But the evaluation commission finds a gigantic hole in the company's books, which threatens to exclude them from the race for the award. But how is this possible? The answer is in Matteo Pasti's confession: he "borrowed" large sums from company accounts to maintain a virtual relationship with the cam girl named Bella Salma. A stage name that, soon, is on the opening news of all the news: the sex worker is found dead in her villa due to an unlikely domestic accident. The Pasti phone is not long in ringing...

A couple faces the difficult path to adoption, determined to become parents despite their complex vulnerabilities.

South of France: Riki Kandinski and his elder brother Fredrico, come back to their family castle for their father's funeral. Fredrico knows nothing about his younger brother, but he notices that he is making big money and living in luxury all for a few days work a week. By pure chance, Fredrico gets his hands on a gay porn magazine and sees his brother in it.

Two brothers kidnap a has-been actress who makes a living doing TV commercials for a fur-clothing company and demands that all animals be freed and businesses be closed. The problem is that everyone thinks the kidnapping is only a publicity-stunt set up by the attention-hungry actress...

A group of burlesque dancers arrives in a little town.

Boris is an Italian television series created by Luca Manzi and Carlo Mazzotta, initially produced from 2007 to 2010, with a revival season premiered in 2022. The show brings to the stage the behind the scenes of a television set where a troupe is shooting Gli occhi del cuore 2 (The eyes of the heart 2), a satirical portrait of the many fictions airing on the Italian TV networks.

A Late Show with a strong identity that bears the name of Alessandro Cattelan: surprising interviews, monologues, music and guests who face all the challenges, even the most unlikely, but without ever taking themselves seriously.

Is a comedy show where ten professional comedians face off for six hours in a row to keep a straight face, while they try to make their opponents laugh. The first time someone laughs the contestant gets warned, the second time, they get eliminated from the game. Whoever manages to resist without laughing all the way through the six hours wins EUR100,000 to turn over to the charity of their choice.

A patch is something commonly used to cover a hole in a dress. Valerio Lundini is a Roman surrealist comedian, who is called every night to replace a programme that, for various reasons, cannot go on air -- he basically puts "a patch" in a TV schedule. But can he?

Reality commented by Gialappa's Band

Satirical television program aired from November 4 to December 18, 2002. The transmission was intended to shed light on a case (of course fantasy) of a missing person, Mario Scafroglia. The hypothesis was that the man had voluntarily lost track of himself, which offered in each episode new food for thought to deepen in a satirical way themes of current affairs, politics and costume, in an attempt to understand the reasons that had driven Scafroglia to flee.

ESAMI is a series that recounts the pyrotechnic world of Italian universities. For those who attend it, those who have avoided it, those who have never left it.