Lydia Mancinelli
Actor · b. 1936 · Rome, Italy
Lydia Mancinelli is an Italian stage and screen actress, remembered above all for her long artistic and emotional association with Carmelo Bene .
Movies13
Movie4.8ComedyFunny, entertaining comedy with a few storylines. All of them have one thing in common - a resort town of Rimini in Italy.
Rimini Rimini
1987 · 103 votes
Movie6.6FantasyDramaTo the protagonist, an intellectual so feverish that he seems pathologically unrecoverable, a confused memory resurfaces of a massacre carried out by the Turks in Otranto. Immersing himself in one of the victims, in the unconscious desire to eviscerate himself, a woman appears to him, Margherita, who, in the guise of Santa Maria d'Otranto, treats him with compassionate love. In the hallucinating succession of memories intertwined with historical events, the protagonist finds himself in contact with his environment, his land, his country.
Movie5.4HorrorCrimeA string of sex murders has been plaguing Florence for almost 15 years, in which a serial killer brutally murders couples who are sneaking "a quickie" in public areas. A writer who is doing research for a book about the crimes sets out to uncover the identity of the killer, aided by his beautiful girlfriend. Based on a true story.
Movie6.7DramaSalome is the daughter of the second wife of King Herod. The King is infatuated with her and, after she fails to seduce the prophet John The Baptist, she dances for the King in order to ask for his execution.
Salomé
1972 · 20 votes
Movie7.5DramaThe Prince of Denmark, Hamlet, is little interested in family affairs and the fate of the kingdom, and not at all attracted by a doll-like Ophelia sucking his finger. Annoyed by his friend Horatio, who tells him of the apparition of his father's spectre that would like to drive him to revenge, and by Polonius, Ophelia's father, who psychoanalyses him by explaining the Oedipus complex, he imagines escaping to Paris with Kate, the leading actress of the company performing in Elsinore, to become a playwright.
Movie7.2DramaRomanceHermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.
Hermitage
1968 · 9 votes
Movie5.7TV MovieDramaAn experimental video variation on Shakespeare's Hamlet.
Amleto di Carmelo Bene (da Shakespeare a Laforgue)
1978 · 7 votes
Movie9.0In this movie, director Volker Koch wants to reveal "petty-bourgeois fixations of consciousness and late capitalist myths of happiness". The protagonists: an American hustler, a drama student, a Munich waitress and her boyfriend who hope for money, a career and luck from a trip to Rome together.
S.P.Q.R.
1972 · 1 votes
MovieComedyTV MovieRiccardo III is a theatre play staged in 1977 and also edited for television and aired in 1981, which Carmelo Bene dedicated to his friend Gilles Deleuze, who wrote a book about it before even seeing it. Bene strips down the original Shakespeare play to the core, rejecting plot and characters, leaving on stage only Riccardo III and his ghosts, the female characters. The TV version is characterized by an exstensive use of close-ups and strong light contrast.
Riccardo III
1981
Movie6.8DocumentaryBENE! Vita di Carmelo, la macchina attoriale
2022 · 2 votes
Movie5.4RomanceDramaIn this a baroque and claustrophobic take on Mozart’s opera of the same name, Don Giovanni tries to seduce a girl who is manically searching for Christian icons. Loosely based on Jules Barbey d'Aurevilly's short story "The Greatest Love of Don Juan".
Don Giovanni
1970 · 8 votes
MovieMusicDrama by Lord George Byron, music by Robert Schumann. Filmed at Teatro Comunale di Bologna, 1979.
MovieDramaAdapted from the ninth chapter of the novel "Controcorrente" (1884) by Joris Karl Huysmans. Its narrative concentrates almost entirely on its principal character and is mostly a catalogue of the tastes and inner life of Jean des Esseintes, an eccentric, reclusive aesthete and antihero who loathes 19th-century bourgeois society and tries to retreat into an ideal artistic world of his own creation.
Ventriloquio
1973