Pablo Cedrón

A quiet, epileptic taxidermist plans the perfect crime. All he needs is the right opportunity. An accident, perhaps…

Five employees submerged in the basement of a large store in Mar del Plata are grotesquely linked to each other, each trying to feel better than the other thanks to miserable advantages.

Leo is the wrong man in the wrong place at the wrong time. After taping a murder and keeping the evidence he runs away to stay alive and, in order to survive, he has to cover up himself. Under a new identity he will become an orthodox Hasidic Jew. A french ruthless killer, Duges and his associates López and Harken will hunt Leo. Their nonstop chase has only one exhilarating speed: all- out. Time is running out and his enemies are getting closer. Now Leo a ragtag bunch of misfits will face the biggest challenge of their lives.

Cetarti is drowning in nothingness. With no job or purpose, he spends his days inside watching documentaries on television, until one day he is informed that his mother and brother were gunned down. He travels from Buenos Aires to Lapachito, a decrepit town in the province of Chaco in northern Argentina to deal with their bodies and to get the life insurance money. There he meets Duarte, a sort of boss in the town and a friend of his mother's murderer who also kidnaps people for money. Cetarti's path will lead him to committing illegal acts to get his hands on the insurance money and to his involvement in Duarte's dark dealings, leading to an absurd and unexpected outcome.

After the funeral of his daughter Ema, Frank Osorio travels for the first time to Buenos Aires to tell his granddaughter Alina about her mother's death. But Frank has to big secrets: the first one is about the identity of Alina's father and the second one is related to a crime.

o Jorge Cedrón this was an act of wistful and political affirmation. He could not explain why he made it, but stated: «It necessary to make it». The outcome, never screened publicly in Argentina, is of a joyous creative freedom, a musical collage here the history of tango and its roots get interwoven with Argentine political history. A Buenos Aires street reconstructed in Ariane Mnouchkine 's theatre, a European old man who can play the tunes the bandoneón was made for, but who does not know the tango, a friends gathering at Antonio Seguí's studio, the music of Cuarteto Cedrón, hobbyhorses and a disconcerted Indian are some of the many elements combined by the film-maker in this singular, unique work.

An old man named Geppetto creates a wooden puppet named Pinocchio who comes to life.

A reporter becomes involved with a band of terrorists hiding in the mountains between Peru and Bolivia.

Lucho, 48, has been working as a roughneck for a drilling company for the last years. At first, his bulky salary allowed him to explore a life that he had always dreamed of. Over time, the harsh and monotonous work forces him to spend most of his time isolated affecting his ability to think clearly. He becomes trapped... and not even his trailer mate can help him.

Through time always a fierce contrast exploding until death.

A photographer shoots a documentary film in a small town in Argentina (Uribelarrea) about the filming that a foreign producer is doing on the spot.

In the aftermath of the May Revolution, which sparked the end of Spanish colonial rule and the establishment of the first independent government in Buenos Aires, revolutionary leader Juan José Castelli is given the order to oversee the execution of former viceroy Santiago de Liniers. This pushes Castelli into a deep moral conflict, forcing him to confront the tension between revolutionary justice and personal conscience, as well as the human cost of political change.

Two emotionally charged love triangles collide as Elena accompanies her photographer husband on a work trip, falling for the sublime beauty of Patagonia and the man who guides them through it. Meanwhile, Albert, a director returning home to Los Angeles, adjusts to being a single father in the wake of his failing marriage.

During the first half of the 19th century, in a vast and desolated land fallen into anarchy, several armed groups drift along the infinite Pampas demanding support and food from the peasants. Even if they are bitter rivals, they all claim to pledge allegiance to the “movimiento”. Among these gangs is one led by Señor, an educated man who, with two of his followers, intends to found a peaceful new order. But while his enchanting words and manners seem appealing, his methods reveal an unstoppable thirst for power.

Rolo, a sailor tired of life on the high seas, loses his boat in a port town. That same night Leo disappears, a man he had met in a bar. Rolo must find him to get rid of Loyola, a policeman who accuses him of complicity in a robbery.

Silvio, a young poet and inventor, struggles to find employment and to give meaning to his life. Silvio has a homosexual relationship, which leaves him traumatized.

Three stories of ordinary people intersect on Christmas Eve: a dentist desperate to find his son's toy; a writer who is not happy and decides to look for the woman of his dreams; and a doctor who intends to flirt with a Spanish woman.

Aballay was a bad tempered gaucho. After killing a man, the terrified look of the victim's son raised his consciousness about his savagery. Years go by, that kid's look doesn't leave him. Aballay knows that the kid will look for him.

The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.

A film adaptation of the TV series "Los siete locos y los lanzallamas" by Roberto Arlt.

After years of working on an 'estancia' in Patagonia, the Old Foreman is forced to retire and a younge'r man takes his place. The change is difficult and challenging for both men. Each one must survive the oncoming winter.

A young man from rural Argentina arrives in Buenos Aires to present his graphic novel at a book fair. He gets into a taxi and discovers that he is sitting in a car bomb: the vehicle is packed with explosives. Driver and passenger are now prisoners of one another...

A young working mother in Buenos Aires, Ana reads a note suggesting a relationship kept hidden by her husband, an executive preoccupied by his job. To solve the mystery she travels a long distance to Rio Escondido, an unimportant river town at the foot of the mountains in western Argentina, and the film becomes a journey of discovery as she finds her heart and her passion. Along the way, truths and perceptions intertwine when Ana meets Martin and she learns who and what he is.

Lalo Padilla, a chauvinistic man and the director of a popular men's magazine, fell victim to a revenge spell cast by one of his mistresses after he stood her up. Upon waking, Lalo discovered that his body had transformed into that of a woman. Now known as Lola, he must live this way while searching for a way to become Lalo again.

Nafta Súper was born as a spin-off of the argentinian cult film "Kryptonita" (Kryptonite) from 2015. Eight suburban episodes, eight mocking, engaging, and ferocious hunts. Nights of drinking that are nights of shooting, lived with adrenaline, dark humor, and glistening sweat.

Farsantes is a 2013 Argentine legal drama produced by Pol-ka Producciones and which aired on Canal 13.

Carola Casini (Araceli González) is a car racer, and has a changing relationship with another racer, Santiago Becerra (Juan Palomino), who recognizes Carola's skills at the wheel. This is the plot line in which the different characters will move. Among them, Carola's coach, Vicente (Raúl Lavié), and the most diverse members of both families will play a very important part in her personal and professional life.

Cha Cha Cha was an Argentine sketch comedy television program aired in the 1990s on América TV, starring Alfredo Casero, Fabio Alberti, Diego Capusotto, and others. It was characterized by absurd humour, sometimes bordering on the surreal. In 2012 it was announced by Casero that the show will return as a motion picture.