Liz May Brice

Twisted tales run wild in this mind-bending anthology series that reveals humanity's worst traits, greatest innovations and more.

Jack Frost is a gritty, dogged and unconventional detective with sympathy for the underdog and an instinct for moral justice who attracts trouble like a magnet. Despite some animosity with his superintendent, Norman “Horn-rimmed Harry” Mullett, Frost and his ever-changing roster of assistants manage to solve cases via his clever mind, good heart, and cool touch.

A motley group of London con artists pull of a series of daring and intricate stings.

The exploits of a team of people whose job is to investigate the unusual, the strange and the extraterrestrial.

Two dysfunctional flatmates reveal all their inner thoughts - whether dark, stupid or embarrassing. Or, occasionally, all three...

When five young outsiders on Community Service get caught in a strange storm, they discover that they have developed superpowers.

Bad Girls is a British television drama series that was broadcast on ITV from 1 June 1999 to 20 December 2006 and starred Simone Lahbib, Mandana Jones, Debra Stephenson, Linda Henry, Jack Ellis and many more throughout the eight-year run. The series was broadcast in 17 countries and was produced by Shed Productions, the company which later produced Footballers' Wives and Waterloo Road. It is set in the fictional women's prison of Larkhall, and features a mixture of serious and light storylines focusing on the prisoners and staff of G Wing. From 2010, the UK broadcast rights were bought by CBS Drama, and is repeated regularly – as of September 2012, the channel is re-running the series again in a late-night time slot.

A series of self-contained stories, each recounting a murder scene as seen from the chilling viewpoint of the killer. Explore the inner workings of a criminal's brain, revealing humanity at its darkest.

As Rincewind involuntarily becomes a guide to the naive tourist Twoflower, they find themselves forced to flee the city of Ankh-Morpork to escape a terrible fire, and begin on a journey across the Disc. Unknown to them, their journey and fate is being decided by the Gods playing a board game the whole time.

Zombies are rampaging throughout Britain. Blissfully unaware of gory events outside, the Big Brother housemates are in for the ultimate eviction night...

Urban Gothic was a horror based series of short stories shown on Channel 5 running for two series between May 2000 and December 2001. Filmed on a low budget and broadcast in a later time-slot, it nonetheless acquired a following. It has also since been repeated on the Horror Channel. Set around London there is an underlying story thread that only becomes clear in the last episodes of each series. Each episode was different in style from the others, running the gamut of documentary-style independent film to spoof, to slick dramas similar in style to The Outer Limits or The Twilight Zone.

In a busy London corporate law firm, Cooper-Fozard, Stephen Bradley and his team work fast and furious to form mergers, takeovers and buyouts for a range of clients. But it's never as clear and clinical. When colleagues work hard, they often play hard too; and working closely sometimes brings people together after hours. Soon you develop a taste for a good deal, and you can sense a suspicious one at forty paces. And above all, though you don't have to like the people you work with, you learn that you do need to trust them.

After he's fired from his long-term job, Ed Robinson moves in with his aunt and tries to find both a career that he prefers to the reinsurance business and a steady girlfriend. Efforts of his family—bickering parents Pam and Hector, successful older brother George, and perfectionist sister Vicky—to meddle in his affairs further complicate his life.

How TV Ruined Your Life is a six-episode BBC Two television series written and presented by Charlie Brooker. Charlie Brooker, whose earlier TV-related programmes include How to Watch Television, Charlie Brooker's Screenwipe and You Have Been Watching, examines how the medium has bent reality to fit its own ends. Produced by Zeppotron, the series aired its first episode in January 2011.

A sharp barrister teams up with a strong-minded solicitor to take on battles with the British legal system.

When a virus leaks from a top-secret facility, turning all resident researchers into ravenous zombies and their lab animals into mutated hounds from hell, the government sends in an elite military task force to contain the outbreak.

When scientists discover something near Antarctica that appears to be a buried Pyramid, they send a research team out to investigate. Little do they know that they are about to step into a hunting ground where Aliens are grown as sport for the Predator race.

John Brennick once again finds himself imprisoned, but this time in a new, more sophisticated fortress prison in outer space. But Brennick's not a man to give in easily, and with a 10-year-old son waiting for him back on earth, he's going to pack some serious assault on the evil corporation.

Mildred is one of the young girls at a prestigious witch academy. She can't seem to do anything right and is picked on by classmates and teachers. The headmistress of the school, Miss Cackle, has an evil twin sister who plans to destroy the school. Can Mildred foil the plan before the Grand Wizard comes to the Academy for a Halloween celebration you'll never forget?!!

"A truly noble heart is sensitive," says the wise old raven, Sebastian, who pokes, prods and analyzes peas seeking the solution that would save the kingdom of Corazion from the revenge of Laird, the king's brother. As Sebastian seeks to solve the mystery, his friend, Prince Rollo, is searching for a truly sensitive heart in the pedigrees of pampered princesses, until a chance encounter with a kind-hearted peasant girl causes Rollo to ponder where true beauty lies. Can Sebastian discover the answer in time to rescue the kingdom from the cruel schemes of Laird? Join in the quest to reveal the heart of true nobility.

The clock is ticking towards The Last Minute, but no one knows it. No one except Billy Byrne - young, cool and talented, he's the Next Big Thing. At least that's what the London glitterazzi are saying, on the streets, in the clubs, in the Business. But the glitterazzi turn out to be wrong and Billy Byrne is all over in a split second. His world detonates. His self-esteem splinters. Suddenly he's on a rollercoaster ride into the London underworld - a dangerous land of murderers, thieves and talent agents.

A disillusioned young woman becomes a serial killer who targets wealthy land-owners, and a brilliant detective must use his unusual neurological condition to track her down.

Ex-con Johnny is forced into pulling a heist he wants nothing to do with. Mob boss ‘Shrewd’ Eddie has one million is dirty cash stashed at his home, just waiting to be stolen. But what Johnny doesn’t know is that seven other very dangerous criminals also have plans to steal the money...

When an absorbing new manuscript finds its way across his desk, Marcus Walwyn (Gideon Turner), an impressionable young publisher, befriends the book's author (Peter Davison) and suddenly has trouble leaving his work at the office. Intrigued by the volume's step-by-step instructions on how to stalk and murder an unsuspecting victim, Marcus grows obsessed with becoming an expert. This made-for-television drama is based on the book by M.S. Power.

Make it new John tells the story of the DeLorean car, its creator John DeLorean and the workers of the Belfast-based car plant who built it. The film deftly contrasts the DeLorean dream with its spectacular downfall during a critical period in Northern Ireland's history, and the canonisation of the car - the DMC12 - as a symbol of the American myth of mobility. As with the earlier works such as Bernadette (2008) and Falls Burns Malone Fiddles (2003), in Make it New John, Campbell fuses a documentary aesthetic with fictive moments, using existing archive news and documentary footage from the 1980s as well as new 16mm footage which imagines conversations between DeLorean factory workers. Campbell questions the documentary genre and reflects here on broader existential themes and narrative drives.

The story of a talented teenage skater girl who, in a bid to escape her overbearing alcoholic mother, reaches out to a charismatic drug dealer. But his affection isn’t all it seems.