Paul Westerberg

The Late Late Show with Craig Ferguson is an American late-night talk show hosted by Scottish American comedian Craig Ferguson, who is the third regular host of the Late Late Show franchise. It follows Late Show with David Letterman in the CBS late-night lineup, airing weekdays in the US at 12:37 a.m. It is taped in front of a live studio audience from Monday to Friday at CBS Television City in Los Angeles, California, directly above the Bob Barker Studio. It is produced by David Letterman's production company Worldwide Pants Incorporated and CBS Television Studios. Since becoming host on January 3, 2005, after Craig Kilborn and Tom Snyder, Ferguson has achieved the highest ratings since the show's inception in 1995. While the majority of the episodes focus on comedy, Ferguson has also addressed difficult subject matter, such as the deaths of his parents, and undertaken serious interviews, such as one with Desmond Tutu, which earned the show a 2009 Peabody Award.

A late-night live television sketch comedy and variety show created by Lorne Michaels. The show's comedy sketches, which parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers an opening monologue and performs in sketches with the cast, and features performances by a musical guest.

Jay Leno hosts some of the biggest celebrities in the world.

For some aging music fans and kids with a passion for musical history, The Replacements are rock and roll defined. Gorman Bechard's remarkable history of the 'Mats takes us from their first show as the Impediments to their 1991 onstage breakup in Chicago, and everywhere in between. Bechard bravely eschews including the band's music, photos, and live footage, instead relying solely on the fans: their well-kept memories, hilarious anecdotes, and differing points of views about the foursome's wildly varied discography and infamous antics.

Follow the legendary Paul Westerberg as he promotes Stereo/Mono (Vagrant), records new material in his home studio, prepares for shows, and relaxes on the bus. This is as personal as the ever-elusive Westerberg has ever gotten outside of his writing: he offers insight on his personal life, musical career, and tells stories like only Westerberg is able to do.