Sanja Ristić Krajnov

A story about a 19-year-old girl Manja who, after her parents' divorce, moved with her mother from Zrenjanin to Novi Sad. Manja is in conflict with everyone, from her sister and mother to the new town where she has acquired a single friend, Slonče. He has a band and is hopelessly in love with Manja which she doesn't notice. She did not enroll in college, so she is looking for a job, after being fired from a beauty salon. After finding a new job in the delivery service, Manja also meets Daniel, who is 15 years her senior.

Gvozden and his sister learn they had another sibling who died when they were young, a secret their parents kept. Their mother reveals she still carries part of the deceased sister, causing reality to break down as death and rebirth merge.

Relying on the work of Letonian scientist Constantine Raudive, Marko Mazibrada, a psychiatrist disappointed in his profession, performs experiments aimed to empirically determine whether there is life after death, by phenomenon of apophenia. Together with Simon Besedić, alcoholic and editor of Armageddon Monthly, the magazine that deals with the paranormal phenomena, Nikola Mrzopoljić, manual labourer and paterfamilias, and Eta, pharmacist and unusual prostitute which Besedić offers a relationship, he experiences a sequence of weird events...

A parody of the modern way of life, based on the conflict between two generations within a bourgeois Serbian family, generations whose mutual understanding became completely impossible the moment social networks wove their web between them.

Spring 2020. The coronavirus pandemic has broken out. Theaters have stopped working. Rehearsals of plays have been suspended. Silence, emptiness, ominous silence. Nevertheless, director Ana receives an offer to dramatize and direct “The Goalkeeper's Fear of Penalties”, a masterpiece by Peter Handke. It is a great challenge and a chance to jumpstart her stalled career. The problem is that the creative process emotionally inhibits her and blocks her sexuality, but with the persuasion of her best friend Sanja – Ana nevertheless embarks on the creative process. The director is faced with typical theatrical folklore.

Ruža left Serbia, her country, over 30 years ago and lives in Zurich. Her daily life is a string of repetitive moments until, one day, Ana arrives on the scene and upsets Ruža's painstakingly organized world. A subtle friendship develops between the two strong willed women.

A story about rich lady who invites a poor fellow to her house with intentions to marry him. He accepts her offer, yet it soon proves that the reason were his high debts, as well as prostitute he's secretly seeing. The story becomes more complex when the lady starts an affair with their gardener.

The story of the film follows Lazar, who, after a number of years spent as a traveling street artist, playing motionless sculpture, found himself on a small Mediterranean island. He longs to return home, but his departure from the island is complicated by the island bureacracy.

TV series which serves as an extended version of the eponymous feature film.