Boris Vian

In 1482 Paris, Frollo, Chief Justice of benevolent King Louis XI, becomes infatuated by the beauty of Esmeralda, a young Romani girl. The hunchback Quasimodo, Frollo's protégé and bell-ringer of Notre Dame, lives in peace among the bells in the heights of the immense cathedral until he's involved by the twisted magistrate in his malicious plans to free himself from Esmeralda's alleged spell, which he believes to be the Devil's work.

Juliette de Merteuil and Vicomte de Valmont are a sophisticated couple, always looking for fun and excitement. Both have sexual affairs with others and share their experiences with one another. But when Valmont meets the beautiful young Marianne at a ski resort, he breaks the one rule of his unconventional marriage: never fall in love.

Hôtel La Louisiane is, at its core, a film about freedom and dignity. Freedom for those who wish to live in a place where they are able to feel inspired. Dignity for the hotel owner to stand by his promise to his father and keep their mission alive: to provide an affordable sanctuary for artists and students in search of fulfilling employment, which they certainly won’t find at other hotels. Freedom, too, to be in an environment of tolerance and rid of prejudice. This film is not just a story about a mythical setting in Paris; it portrays the microcosm of a lifestyle in which collective values reign supreme. A film where what’s real and true is placed above national borders or cultural barriers.

Series of rushes about cripples appearing in a Bible epic who are cured by a starlet playing Saint Anne.

Serge Gainsbourg died on March 2, 1991, at the age of 62. If the general public has remained on his television appearances of the 80s, the fact remains that Gainsbourg had several careers before these last years. With Gainsbourg stripped of his masks, this is the theme of this self-portrait documentary: "In the end, I was left with the watermark of this shy and secretive child who implies candor, innocence, insubordination and savagery". Each sequence of this modest and passionate portrait reveals a secret, intimate, funny and touching Gainsbourg, at a good distance from Gainsbarre, his last public face.

In 1946, the controversial French writer Boris Vian writes his novel I Spit on Your Graves under the pseudonym of Vernon Sullivan, supposedly a mysterious African-American writer; a work against racism and Anglo-Saxon puritanism whose publication causes a great scandal.

Steph, Jean-Claude and Jacques work in a Parisian art shop, but they mainly work in the field of eroticism, which they conceive as a wide-ranging field of exercises and experiments.

As a poster boy for hedonism, his whole life was one big party. A journalist, filmmaker, director, producer, actor, novelist, ladies' man and prolific father... Roger Vladimir Plémiannikov, a.k.a. Roger Vadim, tried everything until his death in 2000. Portrait of a man at the cutting edge of fashion and trends.

A professor experimenting in suspended animation accidentally shrinks his dog and later, his female lab assistant, when she drinks the liquid by accident and shrinks to 3 inches tall. The professor keeps her in his pocket until he can find an antidote. Sometimes she's naked, too.

On June 23, 1959, Boris Vian died of a heart attack while watching the film "I Spit Οn Your Graves", a frivolous adaptation of his novel of the same name, which he released under the pseudonym Vernon Sullivan. Taking as a starting point this fateful date for Vian's relationship with cinema, the documentary looks back at his cinematic experiences, his appearances in several films, his friendship with director Pierre Cast and his many unrealized screenplays. From the post-war period to the dawn of the 1960s, from the cellars of Saint-Germain-des-Prés to his apartment in Place Blanche, it is about the portrait of a diverse author who loved cinema with passion.

French horror comedy short from 1947.

This is the story of an obsession. Mona Lisa keeps smiling quizzically while our poor hero is pursued by her representation in all its forms, in all places. She smiles at him in a museum, at a bookseller along the banks of the Seine, in the streets, at a café. Enough to drive him up the wall!

Boris Vian was a man of many interests and talents. He played the trumpet, wrote criticism, essays, novels, poems and plays, did some painting and sculpting. Philippe Kohly chooses to recount Boris Vian’s life through his love for jazz, his quest for freedom, his taste for celebration.