Héctor Alterio

A band of medieval mercenaries take revenge on a noble Lord who cheated them by kidnapping his son's fiancée. As the plague and warfare cut a swathe of destruction throughout the land, the mercenaries hole up in a castle and await their fate.

Rosalía is a cashier at a supermarket. She lives alone, loves reading fairy tales and hides in a magic fantasy world in order to survive living in the real one. She thinks she is a fairy who came on a mission and got caught in this world. She travels by bus every day. At the bus-stop, there is a "web camera" which records images and puts them into the Internet. Santiago is a scientist who works in an international research project to detect signs of extraterrestrial intelligence. He is a lonely man who lives with his dog and his computer. Rosalía finds she has some extra-sensory powers and thinks three young women she knows are fairies. They will remarkably influence her life. She also feels the need to meet her father, whom she has not seen since she was 8.

Though no one can see him, Hollow Face lurks in the corners, desperately desiring love but only knowing how to spread fear and hate. He creeps into the life of John Farrow after Farrow’s beloved 12-year-old daughter Mia is assaulted in their home. The line between the real and the imaginary blurs as fissures start to open within the family unit. It seems that no security measure can keep Hollow Face out.

In a town near Salamanca, an eccentric widower, aged 60, is captivated by an imp, a precocious 13 year old. Alejandro is wealthy and alone, passing time with music, chess, and his shotgun. Gregoria (Goyita) the daughter of a weak-willed policeman and his bullying wife, is a budding naturalist who conspires to meet Alejandro. Even though he knows the village is talking, Alejandro spends time with Goyita, on walks, horseback rides, and dinners. He's enchanted and tells his friend the village priest that he's living for the first time. Goyita makes new demands on Alejandro, and he must decide how to be true to his ethics and to this Platonic yet highly-charged relationship.

Ana, an eight-year-old girl living in Madrid with her grandmother and two sisters, mourns the death of her mother.

Buenos Aires, Argentina, 1983. In the last and turbulent days of the military dictatorship, Alicia, a high school history teacher, begins to ask uncomfortable questions about the dark origins of Gaby, her adopted daughter.

Set in Argentina in 1965, the story follows the tumultuous relationship between two men who became lovers and ultimately ruthless bank robbers in a notoriously famous footnote in the annals of crime history. After a large-scale hold-up that turns bloody, the two men must flee. It is not long before the police are surrounding the building they are in and they must confront their demons to survive.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

Film based on the real case of the sinking of the cazatorpedera "La Rosales", Navy Argentina, occurred in 1892 on the coast of Uruguay. In that event only saved from death the captain and the officers, raising more suspicions.

Five employees submerged in the basement of a large store in Mar del Plata are grotesquely linked to each other, each trying to feel better than the other thanks to miserable advantages.

In 1847 Buenos Aires, a young noblewoman and a young Jesuit fall in love, much to the disapproval of her family and the Church.

A priest and his father investigate the disappearance of a cardinal who has damning information about the Vatican.

This is the story of writer Alberto's long journey to Stockholm, where the Nobel Prize awaits him, in a blazing Maserati. He is accompanied by Alessandro, a young journalist whose job is to interview him along the way. Personal and generational dynamics arise between the two men, leading to misunderstandings, jealousies, quarrels, separations, love quarrels and so on, but also to growth for both of them. A story full of twists and turns and always played on the edge of irony.

In 1976, Argentina fell into the hands of a de facto government. Thousands of citizens are persecuted and kidnapped. This is the case of the parents of two children, who, knowing they are wanted, decide to hide.

Nora is 30 years old; she lives with her Argentinian grandfather Nicolás and regularly takes care of her friend Meri's children. She writes the horoscope for the town newspaper, although her dream is to be a travel writer. When her grandfather dies, she inherits an old Dyane 6. Despite being a terrible driver, Nora will set out aimlessly on a road trip along the Basque coast so that her grandfather's ashes may finally rest beside those of her grandmother. The road will soon teach her that she's not a born traveller and that her dream had nothing to do with roving, but was only an excuse for the chance to be free, to grow, to close wounds and, for the first time, to find her own happiness.

At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time with their daughter and he has yet to make a commitment to his girlfriend. At his lowest point, a minor heart attack reunites him with Juan Carlos, a childhood friend, who helps Rafael to reconstruct his past.

Joaquín goes to Russia for business. There he falls in love with Tatiana, a young and beautiful interpreter who asks her to accompany him on his return as a maid - secretary - interpreter - lover or whatever.

A group of parishioners die poisoned upon receiving communion, during the investigation of the event the priests of the parish begin to have visions. Everything rushes when the dead are resurrected in the autopsy room, these strange events seem to be related to an old book enacting a new religion.

Argentina's turbulent political history is an uncredited but clearly present protagonist in this rather slow-paced story about Ramon (Oscar Martinez) and his search for his brother Pedro in the capital city of Buenos Aires. Pedro has disappeared at a time of upheaval, after a military junta takes over Argentina in 1976, killing thousands of leftists and dissidents. Unlike many others, Ramon's father has political ties that matter, but that may not change Pedro's fate, which could be death -- or like some who have been tortured, worse than death. This film was nominated for a Golden Bear award at the 1985 Berlin Film Festival.

Director Leon de Winter has taken a thriller with political and psychological overtones, and scrambled it into a series of vignettes that are mixed-up in time and in location, thereby dashing any hope of following the story. A journalist goes to a southern European country to interview a well-known terrorist who has refused to stop his activities even though the revolution he fought for ended successfully five years earlier. Questions are raised about adopting violence as a way of life without at first realizing it and about the seeming impossibility of raising the consciousness of backwater cultures. Perhaps because of the way the story has been filleted into fragments, characters like the journalist and terrorist do not have enough continuous screen time to build up their individuality, a second factor that makes it difficult to become involved in the drama.

A biologist in an insemination clinic unexpectedly falls in love with a free-spirited trapeze artist and the idea of fathering her child. A hilarious romantic comedy about love at first sight, with complications to follow...and more laughs than you could possibly conceive!

A 17th-century Mexican nun defies expectations by becoming a renowned intellectual and writer during the Spanish Inquisition.

Persecuted by her controlling ex-husband, Rosa plots an escape

A series of vignettes is woven into a larger story in this first film to be written and directed by Juan Minon and Miguel A. Trujillo. A writer who works in a bookshop to earn a living meets a wealthy American named Kargus looking for talent to ensconce in his projected art colony in the Gilbert Islands. In order to convince the American to take him on as a good prospect, the writer promotes his own stories -- the vignettes seen in the film. One story is about a young man trying to impress his girlfriend with his new car, a car he indirectly borrowed from a rental agency. His efforts to hide the rental sign on top of the car lead to various comical posturings. Other vignettes are from the era of the Spanish Civil War, including one about two people trying to survive by hunting cats and killing them to sell to butchers. Another vignette shows pro-Franco activists eradicating anti-Franco graffiti in Madrid.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

A global cataclysm, caused by a fatal accident in Geneva (Switzerland) during the implementation of the particle accelerator will lead to the crew and students of the school-ship Polar Star to live the greatest adventure of their lives. Isolated and aware that we only have each other, the ship will become their only home.

An account of the life of Teresa of Ávila (1515-1582), from her spiritual awakening to her final days, as she struggles to reform the Order of the Carmelites and with her own faith.

It tells two parallel stories: that of José Olaya (Ernesto Alterio), a young Asturian miner who is forced to emigrate to Argentina in 1934, using his brother Andrés’s identity and documents; and that of his son, Ernesto Olaya (Eduardo Blanco), a middle-aged Argentine architect who emigrates to Spain in 2001, also against his will, seeking a way out of the economic problems affecting his family.

A TV series composed of eleven episodes and a conclusion, it aired in six one-hour programs starting on October 6, 1985. Lasting about half an hour each, the episodes are separated by intermissions starring three characters: Good, Evil, and Destiny. LA MORTE PORTA CONSIGLIO: At her father's deathbed, a daughter asks the man to tell her the winning Lotto numbers once he makes it to the after-life. But the man is offended by the modest funeral he receives and has fun playing pranks on his daughter. IL FATTACCIO: a doorman is paid to show an apartment in which something gruesome happened. Determined to keep the extra work, he invents increasingly grisly stories to keep interested buyers away. LADRI: two thieves in a working-class neighborhood have tragicomic adventures. L’IMBIANCONE: a very shy man enters a shoe store to buy a pair of shoes and seduce the female shop owner.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores’s life unbearable and inevitably tragic.