Sovetbek Dzhumadylov

A military explorer meets and befriends a Goldi man in Russia’s unmapped forests. A deep and abiding bond evolves between the two men, one civilized in the usual sense, the other at home in the glacial Siberian woods.

Film made for Kyrgyz television

The story of Tanabai the blacksmith, father of three children, who upon his return from war became a herdsman, and his tragic love for the soldier’s widow Byubyudzhan. The lyrical poem has an additional storyline concerning the horse Gyulsary and his master Tanabai.

Kyrgyzstan, the 1920s. In a remote mountain village, against the will of the local elites and in defiance of centuries-old traditions, a woman—Urkuya Salieva—is elected chair of the agricultural cooperative. Salieva is determined to build a new life with an uncompromising resolve against anyone who would obstruct the poor, a stance unusual for a woman.

Sultanmurat is a 14 year old boy who lives in a small Kyrgyz village. All the men have gone off to war so he is left alone to tend to the horses who are weak with hunger.

A high-mountainous region of Kyrgyzstan. A raging disaster nearly takes the life of a girl named Saltanat, a young zootechnician from a high-mountain collective farm. She is found in the snow and rescued by a researcher Joomart. From him Saltanat learns about plans to turn barren plateaus into abundant pastures. A bold idea fascinates Saltanat. She becomes Joomart's friend and ally in the struggle for the conquest of nature.

Bakai is an old shepherd who lives in the country while his children have long grown accustomed to life in the city. When his youngest son pays him a visit, Bakai wants him to stay and help with the rigors of rural living.

A team of rescue workers do what they can in the desperate situation left by an earthquake in the Kyrgyz mountains.

A poetic cinematic legend based on an ancient Kyrgyz folk tale. The film tells the tragic story of the all-conquering love between the beautiful Ak Moor and a simple young man named Bolot, who dared to challenge cruel feudal customs, social injustice, and the will of a wealthy nobleman.

Directed by Bolotbek Shamshiyev, the movie shows Kyrgyzstan under early Soviet rule; and tells us about opium contrabanda across the border.

The plot is based on events that took place during the severe drought of the early 1970s at the construction of the Toktogul Hydroelectric Power Station. The commissioning of the station's first phase was complicated by the fact that the water needed to start it was also desperately needed by the parched fields. There were many debates (with both personal and professional ambitions involved), and in the end, the problem was solved purely mathematically—rather than by agricultural engineering: salty water from the Kyrgyz Sea was diverted to the fields, while clean mountain river water was directed to the first turbines.

Mukash is chased by officials, learns of the devastation of war from a blind woman and helps her daughter to freedom beyond the river crossing, he, having to choose a tragic solution.

In August 1945 Soviet agent Kasym-khan Chadiyarov (Asanali Ashimov) works undercover in Manchuria, impersonating a Japanese businessman Ishijima. His mission is to prepare forthcoming Soviet operations against the Japanese Kwantung Army.

In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.

The end of the 1920s — the beginning of the 1930s in Kyrgyzstan. Parts of the Red Army are waging an uncompromising struggle with basmachi in Central Asia. The film tells about the formation of the character of the young Kyrgyz hunter Djura, who found himself in a swirling whirlpool of revolutionary events that swept the Pamirs. It shows the hard way from a simple young hunter, entangled in centuries of prejudice, to a conscious, seasoned in many battles with the Basmachi mature fighter, who believed in the great ideas of the revolution.

After a serious conflict with the editor of a local newspaper, journalist Temir Ataev began working as a teacher at a boarding school for children of shepherds. The first difficulties did not frighten Temir. Captivated by his new work, Ataev was able to win over the children, who were mostly from disadvantaged families, and restore order in the teaching staff.