Gaëlle Legrand

A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.

Teenage Julien loves his teenage cousin Julia among flowers in summer of '39 France.

Two buddy farmers are visited by aliens who like their domestic cabbage soup.

The first episode – featuring frequent Borowczyk muse Marina Pierro – is the longest and, in a way, most substantial: it’s set in Renaissance Rome, with the lusty (and perpetually nude) leading lady sexually involved with famous painters and church benefactors. The second episode is the most notorious and, consequently, gave the film its controversial poster – featuring a rabbit slowly disappearing under the skirt of a teenage girl (played by Gaelle Legrand). The third and final episode, which has a modern-day setting, is the shortest – but also, possibly, the most outrageous: Pascale Christophe is a young married woman who’s abducted on a busy Parisian street by a small-time hood hidden inside a cardboard box!

Since his wife died, Inspector Louis Baroni (Philippe Noiret) has become a virtual recluse, preferring the solitude of his quiet house to the company of others. His period of mournful contemplation is broken when he is called out to look into the suspicious death of Madame Morlaix who, according to her husband Edouard (Michel Serrault), fell from an upstairs window. Curious to find out more, Baroni begins his inquiry.

Inspector Leroux is investigating the owner of a contemporary art gallery Helen Duvernet who is suspected of being involved in trafficking of stolen paintings. He is both intrigued and attracted by the young woman, follows her everywhere and finally falls in love...

An acting couple is forced to assess their life together when the wife falls for a wealthy horse-breeder while shooting a film.

Claire Rousset visits her ex-husband Pierre who lives in the Lyon region. For some time now, Pierre's health and that of the other inhabitants of the village has deteriorated to the point of becoming worrying.

Three men with a penchant for gambling on the horses soon find themselves in trouble because of their addiction. Pierre (Michel Piccoli) is the math whiz who uses his talent for picking the winners. Charles (Michel Galabru) is the wealthy scrap-iron magnate who has embarrassing evidence on many prominent political figures. Loic (Jacques Dutronc) is the aspiring politico who seeks to further his career by any means possible. Charles approaches Loic and asks his political party for a loan in hopes of fixing an upcoming race....

La reine de France meurt en couche. Elle met au monde un petite fille prénommée Blanche-neige. Le roi deçu de n'avoir pas un fils est résolu à faire disparaître sa progéniture mais c'est sans compter sur la protection de nombreux personnages de la littérature enfantine : les fées, Tarzan, Robin des Bois ou d'autres encore...

Guy is fired from is job, and asks to stay with his friend and his girlfriend in their apartment. The longer he stays, the more disaster he creates.

In 1981, in Grenoble, Mickey, Bertrand, Frédéric, Charles, Louise, and Aimée—brought together by a shared desire to make music—are the members of a band called the “Why Notes.” During a wedding ceremony in a church where Charles is playing the harmonium for the occasion, Bertrand, who has come to join him, notices the groom interrupting the ceremony and running away. A few hours later, just as the band is about to leave for a concert in Paris at the high school they attended, Bertrand runs into Clara, who suggests they run away together and then disappears... Bertrand, completely captivated by Clara, leaves the band and sets off in search of her... in Paris.

A French satirical comedy that examines society’s obsession with appearance. A man with unconventional looks unexpectedly becomes a public sensation, facing ridicule and admiration. His striking features thrust him into a whirlwind of media sensationalism and superficial relationships. Amid a series of ironic and humorous encounters, he grapples with the burden of being judged solely on his appearance, ultimately questioning the true essence of beauty and personal worth.

Micky leaves his provincial and bourgeois background and leaves to live in Paris, where he performs as a transvestite singer in a cabaret.