Matthew Flint

A couple works hard to renovate their dream house and become landlords to pay for it. Unfortunately one of their tenants has plans of his own.

When their best friends announce that they're separating, a professor and his wife discover the faults in their own marriage.

Guy is a young film executive who's willing to do whatever it takes to make it in Hollywood. He begins working for famed producer Buddy Ackerman, a domineering, manipulative, coldhearted boss. When Guy also finds out that his cynical girlfriend, Dawn, has been using sex as a career move, he reaches his limit. Guy decides to exact revenge on Buddy by kidnapping him and subjecting him to cruel and unusual punishment.

High school sweethearts Roslyn and Michael, now in their twenties, co-exist in a deeply unfulfilling marriage with kids. Both embark on extramarital affairs, unaware of the violent repercussions that await.

It's Fourth of July Weekend, and the recently discovered corpse of Sgt. Sam Harper rises from the dead to punish the unpatriotic.

A nine-year-old girl with a mother in the hospital decides to live alone and fend for herself.

An unassuming mystery writer turned sleuth uses her professional insight to help solve real-life homicide cases.

In his basement in San Francisco, boy-genius Quinn Mallory unlocks the doorway to an infinite number of Earths. During a test run, Quinn invites co-worker Wade Welles and his teacher Professor Maximillian Arturo to see his new invention. But an increase in power and an early departure leave all three, plus a washed-up soul singer named Rembrandt "Crying Man" Brown, lost in a parallel world. Now they must "slide" from world to world, not only adapting to their changing surroundings, but also trying to get back to their world. Will they ever make it home?

Rebel Highway is a 1994 revival of American International Pictures, created and produced by Lou Arkoff, the son of Samuel Z. Arkoff, and Debra Hill for the Showtime network. The concept was a ten-week series of 1950s "drive-in classic" B-movies remade "with a '90s edge". Each episode shares a title with a late 1950s-early 1960s-era AIP film. However, they are not remakes; each installment is a different story from that which they are titled. The impetus for the series, according to Arkoff was, 'what it would be like if you made Rebel Without a Cause today. It would be more lurid, sexier, and much more dangerous, and you definitely would have had Natalie Wood's top off'.

In a neo-noir future, nightclub hostess and classy femme fatale Raven presents various stories that either involve some of her guests or even herself. Some are sleazy, some violent, some about love, and some about loneliness, some darkly humorous, and some bittersweet and tragic, some are gritty cyberpunk thrillers and some are more fantastical and lighthearted, but they are all spicy and original.