René Berthier

The Saint-Tropez police launch a major offensive against dangerous drivers. Marechal Cruchot (Louis de Funès) relishes the assignment, which he pursues with a manic zeal. Cruchot is after an offending driver, who turns out to be Josépha (Claude Gensac), the widow of a highly regarded police colonel. When they meet, Cruchot falls instantly in love....

When French criminal Corey gets released from prison, he resolves to never return. He is quickly pulled back into the underworld, however, after a chance encounter with escaped murderer Vogel. Along with former policeman and current alcoholic Jansen, they plot an intricate jewel heist. All the while, quirky Police Commissioner Mattei, who was the one to lose custody of Vogel, is determined to find him.

The whole clique of Cruchot's police station is retired. Now he lives with his rich wife in her castle - and is bored almost to death. He fights with the butler, because he isn't even allowed to do the simple works. But when one of the clique suffers from amnesia after an accident, all of the others reunite and kidnap him, to take him on a tour to their old working places and through their memories. In their old uniforms they turn St. Tropez upside down.

The bungling inspector Cruchot finds himself trying to save the residents of St. Tropez from some oil-drinking humanoid aliens. The only way to tell the aliens from the real people, besides their constant thirst for oil-products, is that they sound like empty garbage cans when you touch them. Chaos is ahead.

Cruchot's police office moves into a new building. They do not only get high tech equipment, but also four young female police officers to educate. All of them scramble to work with them -- and cause pure chaos while being distracted by the fine ladies. Then they get into real trouble when one after the other of their female colleagues is kidnapped.

A great French restaurant's owner, Monsieur Septime, is thrust into intrigue and crime, when one of his famous guests disappears.

Anne and Lore, neighbors and best friends, barely into their teens, board at a convent school where they have taken a vow to sin and to serve Satan. Anne keeps a secret diary, they read a salacious novel, they get a classmate in trouble, they spy on the nuns, they set aside their communion wafers; they make a pact of devotion.

Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy preceding him, he sets himself to the task of knowing why the French operations were not so profitable - and soon he is master of all links of the organization. He can now get it honed to perfection - or destroy it. Only... the Police are following his every step.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Vallois, a vice inspector for the Paris police, takes special interest in the plight of drug-addicted Lucky (Najda Tiller), whom he considers to be more victim than criminal. Taking it upon himself to wean Lucky away from narcotics, Vallois also wins her love -- and, incidentally, smashes the dope ring responsible for her addiction.

Leading lawyer Andre Gobillot takes the case of Yvette, a young criminal. As he works on her defence, an unexpected romance blooms between them, only to be cut short by a tragedy.

Henri Serin (Jean-Pierre Marielle), an umbrella salesman, leads a quiet life between his work, his family and his passion for painting. During his many business trips, Henri indulges in a few amorous escapades, which provide a welcome change from the tiresome daily routine his bigoted wife locks him into. One fine day, Henri decides to drop everything and live on love and fresh water. He ends up in Pont-Aven, where he meets Émile, a local painter imitating Gauguin, with whom he shares his drinking and other feminine attractions.

In Paris, in 1942, on a Thursday, the Parisian police herded together some 13,000 Jews for deportation to German territory. In this story, Paul (Christian Rist) is a teenager who tries to prevent this from happening. At first he attempts to save two elderly Jews, but they are resigned to their fate and comply with the order to assemble. For a short while, he is able to keep Jeanne (Christine Pascal) from joining them, but, after a long and strenuous day, she finally escapes from him he is too tired to chase after her.

A gang of young tugs led by Frankie, opens a nightclub just in front of a gangster's hideout. Morelli is his name and he prepares the stealing of the century.

Her father having served a prison sentence, there is unending gossiping about Therese's family. Unable to put up with it any longer, the young woman leaves her native village for the canton of Bern where she manages to be hired by Anton Muller, a wealthy, authoritarian farmer. Under the young woman's spell, Anton wants to make his servant his mistress but Thérèse refuses energetically.. Later on, she nevertheless accepts to marry Anton. On the wedding day, she meets Gottfried, her bridegroom's son, and they instantly fall passionately in love with each other.

A valuable painting has been stolen from an art gallery in Paris.. On a train travelling between Paris and Rome, Zutra, a mysterious and sinister character, tries to find the stolen painting.

"Le septième ciel" became Raymond Bernard's last film; a black comedy about a female brewery owner who donates vast amounts of money to charitable causes. The funds to do this, she raises through her liaisons with wealthy gentlemen... who just "happen" to end up dead!

Hopes and love and ambitions and friendship in a group of young jazz-loving Parisians.

Rich industrialist Jacques Decret learns his wife Gloria is having an affair with a young actor. For revenge, he bombards her with anonymous letters, convincing her that her lover is the culprit while Gloria desperately seeks a way out.

Vicky de Berlin, a female gangster, haunted by wartime memories , runs a floating night-club in Brussel. Marcel, her partner and lover, is in charge of the banknotes forgery manufacture concealed in the bottom of the boat. He decides to rob the Bank of Belgium and exchange a huge sum of counterfeit money for its equivalent in genuine one. But things get complicated when Yoko, the she leader of another gang and her lover The Bug interfere...

A few years ago, Isabelle Leritz, a famous pianist, suffered a fit of madness, in the middle of a concert. Now recovered, she fell in love with Jacques whom she plans to marry. She does not know that he is having an affair with Caroline, his sister, director of a fashion house.

Normandy, France, 1976. After 2 years of wild love with Nadia, Pouplard, an unemployed heating engineer working in his girlfriend's butcher shop, decides to marry her and leave his wife and daughter. He'll have to struggle against his own jealousy and Nadia's incredible sex appeal to get through this 'moment de vie'.

Pierre is an engine driver who adopts a small girl, a WWI orphan. A widower, he sees in her the image of her mother.

While celebrating his birthday, police inspector Basquier recalls two of his most celebrated cases. The first involves duplicitous moneylender Olga. The second concerns the brutal broad daylight murder of innocent young Yvonne.

Over several generations, the story of an aristocratic French family spanning the 20th Century, from the two World Wars to the social and political upheavals of May 1968. Facing adversity, old Duke Sosthène tries to keep traditions alive.