Julio Chávez

An ill man takes a trip on his boat to remember quietly his life. Unexpectedly, a girl takes cover on the same boat. When the man finds her, she asks him for help because she will be charged for a crime she did not commit. On the way, they'll have several problems, being the first one the police officer friend of the owner of the boat.

The protagonist is Axel, aged about 40, a doctor who no longer practices his craft. He is living temporarily with his sister and her children. He doesn't do much, just exists a little between the living and their things. One day, he meets a young, pregnant woman. A relationship develops, a kind of love, and they live together, like driftwood temporarily clinging on to each other.

Arriving at a distant town, a businessman decides to take the identity of a passenger who died during the bus trip.

A woman would rather forget her husband's forced disappearance at the hands of the government.

Javier, a plastic artist whose life goes by uneventfully, undertakes a strange project: to film his mother, an enigmatic and distant woman. He is not a filmmaker and improvises this task, which will bring an unexpected connection between the two.

Living the mundane existence of a professional bodyguard, always in the shadows of his clients, Ruben decides to make a change that will finally give him a personal connection outside of his solitary world.

Bear has never gotten over the separation from his wife and daughter after having been convicted for armed robbery and homicide and sent to prison. Now he is out, to finally get his cut of the money and reunite with his family, or at least avenge the damage done.

Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.

Buenos Aires, 1920. The Franco-Argentine and Polish-Argentine mafia begin a war for the control of the traffic of women and prostitution, based on real events about the 1920s Buenos Aires Mafias war.

A man becomes overprotective of his daughter as a friend of his son comes to live at the family home.

It is the story of Eleanor, a good housewife who lives with her husband, Fernando, and their two children. Deeply loves her husband and does not question the reciprocity of love and fidelity. One day, circumstantially, discovers her husband is cheating. Leonor emotionally feels betrayed and realizes that his world, based on a lie, has collapsed like a house of cards. With more fear than conviction, leaving the house, leaving little signs with instructions for their march and trust their children to the care of her husband.

Story of a ordinary human being who, by chance, take possession of the money that was stolen from a bank, thinking that will solve all his problems.

Pedro, a Falklands veteran, cannot forget the days when he was in the trenches, nor can he forget Raúl, his best friend, who stayed forever in that desolate place of nightmares.

In the ranks of the Japanese army during WWII, there existed what was known as comfort women. In the present, that term was replaced by a definition that is closer to reality—they were women who had been kidnapped and turned into sex slaves. After a long period of humiliation, the victims remained quiet, but some of them built up the courage to write about their ordeals in a series of letters. Cecilia Kang’s new documentary recovers those testimonies in order to talk about the way in which History and social mandates affect the lives of Korean women in Argentina, from the perspective of a young acting student who, after coming into contact with this correspondence, allows herself to reflect on the community she lives in and understand more about the traditions of her people as well as her own family history.

Epitafios is a 2004 13-episode, Argentinian crime fiction TV mini-series with the tagline: El Final Está Escrito ... The End Is Written. The series, which takes place in an unnamed South American city, was shot in Buenos Aires. The series was produced by HBO Latin America and Argentinian TV/film company Pol-Ka Producciones. It was written by Marcelo Slavich and Walter Slavich and directed by Alberto Lecchi and Jorge Nisco. Although all of the actors were Argentinian, a neutral Spanish was used instead of the local Rioplatense Spanish, avoiding colloquialisms such as the local vos in favor of the more common tú. The series debuted in Australia on SBS in May 2007 under the title If The Dead Could Speak. It premiered in Poland on Cinemax on November 6, 2008. In Germany, it premiered on November 6, 2009 on pay TV channel FOX under the title Epitafios - Tod Ist Die Antwort.

El Maestro is an Argentine miniseries co-produced by Pol-ka Productions, Turner Broadcasting System, eltrece and Cablevisión, which is broadcast by TNT, since September 13, 2017. It stars Julio Chávez, in the role of Prat, a former classical dance dancer who knew how to be a world figure.

Farsantes is a 2013 Argentine legal drama produced by Pol-ka Producciones and which aired on Canal 13.

Miguel "The Tiger" Verón, a union leader from meat sector, has to risk everything against his employers and enemies from justice.

Antonio Cruz is a good country doctor who hides a secret that has filled him with resentment and anger. One day he snaps and decides to kill a neighbor for each sign of the zodiac. His sister Laura, a police officer, and her ex-husband Paul, the neighboring town prosecutor, investigate the mysterious crimes.

Tratame bien is an Argentine TV series made by Pol-Ka. It was awarded with seven Martín Fierro Awards in May 2010, including the Golden one.

El Puntero was a 2011 Argentine miniseries, produced by Pol-Ka and starred by Julio Chávez and Gabriela Toscano. "Puntero" is a word from Argentine slang for a man who works as an intermediate between poor people and political parties, in a clientelist relation. The miniseries received the Golden Martín Fierro Award.