William Peter Blatty

When a mysterious entity possesses a young girl, her mother seeks the help of two Catholic priests to save her life.

Army psychiatrist Colonel Kane is posted to a secluded gothic castle housing a military asylum. With a reserved calm, he indulges the inmates' delusions, allowing them free rein to express their fantasies.

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

A behind-the-scenes retrospective made for the twenty-fifth anniversary of the classic horror film, The Exorcist. Includes interviews with Linda Blair and the other stars of the film, along with commentary from the director and writer on some of the deeper meanings behind the elements they used to terrify their audiences, and previously unreleased footage including make-up tests and deleted scenes.

DA-DUN DA-DUN DA-DUN-DA-DUN-DA-DUN-DA-DUN-DA-DUUUUN Henry Mancini’s iconic score, Peter Sellers’ bumbling Inspector Clouseau, and those unforgettable animated opening sequences - delve into the history of the Pink Panther films, the pink diamond hunting comedy-mystery franchise that was a smash hit, made a megastar of Peter Sellers and spawned an empire. Paul Joyce’s typically thorough and entertaining documentary focuses on star Peter Sellers’ creation of a comedy icon and his relationship with director Blake Edwards. Hosted by Burt Kwouk, who played Clousea’s manservant and martial arts sparring partner Cato, and featuring interviews with Mark Kermode, Herbert Lom (Chief Inspector Dreyfus), Graham Stark (Pepi) and more, THE CURIOUS CASE OF INSPECTOR CLOUSEAU is a must-see... if you can catch it!

A cropduster pilot finds himself caught between two women—one who loves him and the other, who doesn’t handle rejection well, who’s out to destroy him.

An investigation into the reports of houses in Hollywood that are supposedly haunted by the ghosts of dead movie stars.

An Oscars special featuring interviews with a few of the nominees and the writer and director the year's breakout hit, The Exorcist (1973).

Friedkin and Roizman talk about the film's Georgetown locales, and side-by-side comparisons between the 1973 locations and their modern 2010 counterparts are examined.

This documentary explores the 1949 possession and subsequent exorcism of a boy known as Ronald Doe.

Forty years after his novel was published, The Exorcist's author, screenwriter and producer return to where it all began.

Tonight Starring Jack Paar is an American talk show hosted by Jack Paar under The Tonight Show franchise from 1957 to 1962. It originally aired during late-night. During most of its run it was broadcast from Studio 6B inside the RCA Building. The same studio would also host early episodes of The Tonight Show Starring Johnny Carson, and Late Night with Jimmy Fallon. Its theme song was an instrumental version of "Everything's Coming Up Roses", and the closing theme was "So Until I See You" by Al Lerner.