
Wolfgang Reitherman
Visual effects · 1909 – 1985 · Munich, Germany
Wolfgang Reitherman (June 26, 1909 – May 22, 1985) was a German-American animator and filmmaker. He began working for Disney in 1934, along with future Disney legends Ward Kimball and Milt Kahl. The three worked together on a number of classic Disney shorts, including The Band Concert, Music Land, and Elmer Elephant and in all, Reitherman worked on various Disney feature films produced from 1937 to 1981, including Snow White and the Seven Dwarfs (Slave in the Magic Mirror) to The Fox and the Hound (co-producer). He did the climatic dinosaur fight in Igor Stravinsky's The Rite of Spring in Fantasia, the Headless Horseman chase in "The Legend of Sleepy Hollow" section in The Adventures of Ichabod and Mr. Toad, the Crocodile in Peter Pan, and Maleficent as a dragon in Sleeping Beauty (the former three he animated and the latter he directed). Beginning with 1961's One Hundred and One Dalmatians, "Woolie", as he was called by friends, served as Disney's chief animation director. One of Reitherman's productions, the 1968 short Winnie the Pooh and the Blustery Day, won the Academy Award for Best Animated Short Film. He also served as a producer and sequence director, and starred as himself in the 1941 feature film The Reluctant Dragon. All three of Reitherman's sons — Bruce, Richard and Robert — provided voices for Disney characters, including Mowgli in The Jungle Book, Christopher Robin in Winnie the Pooh and the Honey Tree, and Wart in The Sword in the Stone. Reitherman directed several Disney animated feature films including, One Hundred and One Dalmatians (1961), The Sword in the Stone (1963), The Jungle Book (1967), The Aristocats (1970),Robin Hood (1973) and The Rescuers (1977). He is also known for reusing animation in movies directed by him. According to Floyd Norman, this was just one of his trademarks, and had nothing to do with time or cost savings: "Woolie was our director on The Jungle Book. Reuse was just Woolie’s thing. He never did it to save money. I really don’t think the “Old Guard” ever had any interest in saving money. I was never a big fan of reuse, but it wasn’t my place to tell these old guys what to do. One final thought. It never seemed to bother Walt, and I never heard him complain about reuse."
Movies6
Movie7.5DocumentaryA look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
The Pixar Story
2007 · 250 votes
Movie7.2DocumentaryBy the mid-1980s, the fabled animation studios of Walt Disney had fallen on hard times. The artists were polarized between newcomers hungry to innovate and old timers not yet ready to relinquish control. These conditions produced a series of box-office flops and pessimistic forecasts: maybe the best days of animation were over. Maybe the public didn't care. Only a miracle or a magic spell could produce a happy ending. Waking Sleeping Beauty is no fairy tale. It's the true story of how Disney regained its magic with a staggering output of hits - "Little Mermaid," "Beauty and the Beast ," "Aladdin," "The Lion King," and more - over a 10-year period.
Waking Sleeping Beauty
2009 · 116 votes
Movie6.0DocumentaryDocumentary focusing on the making-of the 1940n adaptation of Pinocchio by the Disney studio, often considered the artistic pinnacle of the Disney feature.
The Making of 'Pinocchio': No Strings Attached
2009 · 1 votes
MovieDocumentaryAnimationA Story of Dogs
1954
- MovieDocumentaryAnimation
"Walt Disney was utterly mad, in a constructive way... Only fanatics in this world accomplish anything, everyone else drifts. What he accomplished is an unrealistic ambition... a delusion of grandeur. My god... those films are hand painted frame by frame."
Movie8.5Film critic Joel Siegel gets together with a group of animators, directors and producers to discuss and pay tribute to their mentors and Walt Disney's core group of animators, The Nine Old Men
From Walt's Table: A Tribute to Disney's Nine Old Men
2005 · 2 votes