Jeff Lieberman
Director · b. 1947 · Brooklyn, New York, USA
From Wikipedia, the free encyclopedia. Jeff Lieberman (born 1947) is an American film director and screenwriter, perhaps best known for his cult horror and thriller films, namely Squirm, Blue Sunshine, and Just Before Dawn. Description above from the Wikipedia article Jeff Lieberman, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Movies6
Movie5.2DocumentaryHow did America change from Easy Rider into Donald Trump? What became of the dreams and utopias of the 1960's and 1970's? What do the people who lived in that golden age think about it today? Did they really blow it? Shot in Cinemascope - from New Jersey to California - this melancholic and elegiac road-movie draws upon the portrait of a confused, complex and incandescent America one year after the start of the electoral campaign. That golden age has become its last romantic border and an inconsolable America is about to pull on a trigger called Trump.
We Blew It
2017 · 10 votes
Movie7.8DocumentaryThe story behind the rise and fall of New York's 42nd Street. The cinemas, the films, the people, the crime and the rebirth of the block as "New 42nd Street" - this is the document of the world's most notorious movie strip.
Movie7.6HorrorDocumentaryDocumentary on the short-lived craze of Italian cannibal films in the '70s and '80s, featuring interviews with Umberto Lenzi, Ruggero Deodato, Sergio Martino, Giovanni Lombardo Radice, and Robert Kerman.
Movie7.4DocumentaryCelluloid Horror explores Kier-La Janisse's tireless crusade to bring obscure cult horror film to the masses through her independently run international film festival.
Celluloid Horror
2004 · 7 votes
Movie7.0DocumentaryFeature-length retrospective on the classic 80s slasher, Just Before Dawn.
Just Before Dawn: Lions, Tigers and Inbred Twins
2005 · 1 votes
- Movie5.0Comedy
An extraordinary short film about how grown ups and companies try do anything to earn money on the young people of today, and to influence the young people to grow up in their image as consumers and product addicts.
The Ringer
1972 · 2 votes