André Heller

Every evening at 6:45 p.m. sharp, a prominent guest takes a seat on the red sofa—and DAS! provides daily updates on what's hot in the north.

The Harald Schmidt Show is a German late night talk show hosted on Sky Deutschland by comedian Harald Schmidt. The show first aired from 5 December 1995 to 23 December 2003 on Sat.1. Schmidt then moved his show to Das Erste as Harald Schmidt and Schmidt & Pocher, but he returned to Sat.1 on 13 September 2011. After cancellation on Sat.1, the show continued on Sky Deutschland in September 2012.

Reinhold Beckmann hosts a weekly talk show.

A long-running German-language entertainment television show based on the format of the British show You Bet! and the American show Wanna Bet?.

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

A young Viennese policeman can not free himself from his mistress and is also extorted over his illegal arms business.

In this surreal documentary, Werner Herzog shows us how, following a saint’s suggestion, the king of Udaipur invited various artists and tribes from many cultures across India to celebrate life and ward off evil.

He's known as "Tyrol's Zappa" and a "real anarchist." Whether folk music, jazz or what's known as serious music, Werner "Preisegott" Pirchner has in a creative way greatly expanded upon the limited acoustic range of his homeland, enriching it with some unfamiliar sounds from around the globe. Whoever comes into contact with him, such as Josef Hader and Tobias Moretti, can sense the power of his music, lets it carry them away, and embraces it wholeheartedly.

"Spring Symphony" is the story of Robert Schumann and Clara Wieck. Both were music entities. Robert Schumann turns out to have been a second tier composer, if that, never rising to the heights of a Beethoven or Mozart. In contrast, Clara Wieck was a master technician in the playing of the piano, a composer (probably not at Schumann's level), and was a child prodigy.

Young Patricia wanders through a Viennese night full of lust for love, visions of drugs and violence, gleaming frenzy and dark alleys.

The village innkeeper Lejba Sibal and his pregnant wife Sura are threatened by Lejba's former farmhand Georg, who wants to kill them both at Easter. After Lejba has sought help from the authorities in vain, he decides to fight back himself.

A musician beds down a prostitute he knows is diseased in order to gain inspiration, an act he later believes to have been a tacit pact with Satan

Based on a popular 1931 play, the film tells the fate of a naive young woman named Marianne, who breaks off her reluctant engagement with Oskar the butcher after falling in love with a fop named Alfred who, however, has no serious interest in returning her love. For this error, she must pay bitterly.

Erika Pluhar is an acclaimed Austrian stage and screen actress, singer, director, screenwriter and author. She studied at the Max Reinhardt Seminar, the Viennese academy for music and the performing arts where she graduated from.

Hofreiter, who has a relationship with Natter's wife Adele, confronts Natter after the latter launches a newspaper advertisement linking the suicide of an admirer of Hofreiter's wife to Hofreiter himself. In his tried and tested manner, Hofreiter challenges his vis-a-vis to a duel, but contrary to all etiquette, Natter refuses and exposes Hofreiter's system of vain notions of honor by confronting him with "genuine feeling". Natter: "I am hopelessly in love with my wife. That happens, dear Hofreiter. Nothing helps. That's just the way it is." His revenge is of a different nature, because he gets out of Hofreiter's narcissistic game and disavows his deceptive maneuvers and strategies of shifting blame.

Broomfield's behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity conspire to ruin the best efforts of all involved in the New York rehearsals for an extravagant, glitzy production.