Rossella Falk

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

A dictatorial film director hires an unknown actress to play the lead role in a planned movie biography of a late, great Hollywood star.

Inspector Tellini investigates serial crimes where victims are paralyzed while having their bellies ripped open with a sharp knife.

Modesty Blaise, a secret agent whose hair color, hair style, and mod clothing change at a snap of her fingers is being used by the British government as a decoy in an effort to thwart a diamond heist. She is being set up by the feds but is wise to the plot and calls in sidekick Willie Garvin and a few other friends to outsmart them. Meanwhile, at his island hideaway, Gabriel, the diamond thief has his own plans for Blaise and Garvin.

A group of Italians take a flight to Sweden: among them there are the tourists, and the immigrants.

An elderly and retired police detective and a young amateur sleuth team up to find a serial killer whom has resumed a killing spree in Turin, Italy after a 17-year hiatus.

A journalist finds himself on the trail of a murderer who's been targeting people around him, while the police are considering him a suspect in their investigation.

A maniac on the loose is committing savage acts of slaughter, and one survivor may be the only key to unmasking the serial slayer known as the Half-Moon Killer. The mysterious half-moon lockets he leaves with his victims could be the only key to unraveling his sinister motives, but will that be enough before he completes his ice-cold plot to claim his intended seven victims?

A dramatic and penetrating examination of the intellectual and moral standards existing at Oxford University, England, in the early 1970s.

The story of Emma, a courageous woman who left home at a very young age. Emma's first job is working in a paddy field. There she meets Paride, and a romance begins. But amid a workers strike, Paride dies, leaving Emma alone and also pregnant. From this point on Emma struggles for survival.

A few days before Inspector Ambrosio's holiday, a bank robbery takes place opposite his house.

Loves and jealousies, abandonments and returns, of two couples on vacation in Africa.

Italy, the early 19th century. A villa is the home of a small English community, all rich and superficial people lounging about in its beautiful surroundings. Claire, George's wife, and Robert, her son, are murdered by a mysterious killer. Thinking the murderer is one of the family, distraught George devises a plan to unmask the culprit. Having met a woman, Ann, who is a dead ringer for Claire, he takes her back to the villa and announces their imminent marriage. Ann is considered an outsider and treated with contempt and hostility, while George fails to find any significant clue to the solution: everybody is to be blamed, at least morally, but the final revelation is more bitter than expected...

A woman whose husband was murdered five years previously, is stalked by his killer, who wants to eliminate her as a potential witness. What he doesn't know is that the shock of his murder caused her to have amnesia, and she doesn't remember anything.

A documentary on Fellini’s lost alternate ending for 8½

Sei personaggi in cerca d'autore is an Italian staged filmmaking of the play of the same name, written by Luigi Pirandello about the relationship between authors, their characters and theater practitioners. The story follows six characters: Il Padre (Romolo Valli), la Figliastra (Rossella Falk), la Madre (Elsa Albani), Il Figlio (Piero Sammataro), la bambina (Patrizia Ponzelli) and Il giovinello(Paolo Figna) that invading a essay by a theater company looking for an author.

Antonio Spagara, a young Sicilian worker, has been assigned by the Mafia to murder a nobleman, Marquis Macri. But at the last minute Antonio reneges on his commitment and instead of killing the father, he flees to Palermo with Grazia, his daughter. Life is not a bed of roses in the Sicilian capital, as the young man must impose himself to face his godfather and Grazia's despotic sister Dorotea. To make matters worse, the Mafia is not going to tolerate Antonio's desertion...

Based on the novel The Lady of the Camellias by Alexandre Dumas fils.

Absurdism’s king of comedy, Luigi Pirandello, adapted a 1915 short story he wrote titled “Signora Frola and Signor Ponza, Her Son-in-Law” into a play two years later. Right You Are (If You Think Are) was presented in dramatic form as a “A Parable in Three Acts.” As in any instructive parable, the characterization is put fully into the service of delivering the lesson and thus creates mysteries about motivation that remain unresolved by the conclusion.

Based on José de Alencar's novel, directed by Riccardo Freda.

An English writer interested in the occult searches Rome for George Byron's lost diaries, convinced that they hide a terrible secret. During his search, mysterious events occur around him, including a murder and the enigmatic appearances of a beautiful woman...