Mary Riggans

Nine-year-old Frankie and his single mum Lizzie have been on the move ever since Frankie can remember, most recently arriving in a seaside Scottish town. Wanting to protect her deaf son from the truth that they've run away from his father, Lizzie has invented a story that he is away at sea on the HMS Accra. Every few weeks, Lizzie writes Frankie a make-believe letter from his father, telling of his adventures in exotic lands. As Frankie tracks the ship's progress around the globe, he discovers that it is due to dock in his hometown. With the real HMS Accra arriving in only a fortnight, Lizzie must choose between telling Frankie the truth or finding the perfect stranger to play Frankie's father for just one day...

' I don't want to dust and polish. And I don't want to work on a farm. I want to write poetry, great poetry, as great as Shakespeare.' Those are the words of 16-year-old Janie as she comes to the end of a seven-year stay at an Aberdeenshire orphanage. (BBC Genome)

Four students working in a factory cause emotional, as well as industrial catastrophe, for when theory and reality meet it is the 'Silly Season'.

A student faced with an ultimatum to find £5 by morning - or lose his girlfriend - searches for friends he can tap and discovers that the crises in their lives are even greater than his own.

It's the day of the Orange Parade in Glasgow, but for Jon, the thrill of leading the parade and swinging the mace soon turns to horror as he learns the truth behind the costumes and songs.

Mature student, divorcee and mother of three Josie finds the social pressures in and out of university more demanding than her academic studies.

When Alison unexpectedly falls pregnant after a brief encounter with Alex (David Hayman's first TV role) they decide to marry. The joining of two seemingly different families opens into a witty and audacious tale, which caused uproar after its first broadcast in 1972. An early triumph for Peter McDougall, when it was proclaimed the most exciting writing debut since John Osborne's Look Back in Anger.

Live action series for pre-school children based around the small island community of Balamory in Scotland.

Taggart is a Scottish detective television program. The series revolves around a group of detectives initially in the Maryhill CID of Strathclyde Police, though various storylines have happened in other parts of the Greater Glasgow area, and as of the most recent series the team have operated out of the fictional John Street police station across the street from the City Chambers.

Maggie is a British television series produced by the BBC between 1981 and 1982. It was based on a quartet of books written by Joan Lingard during the 1970s - 'The Clearance', 'The Resettling', 'The Pilgrimage' and 'The Reunion'. Set in the city of Glasgow, the series centred around teenager Maggie McKinley and the problems of adolescence as she aspired to further education, a career and an independent life whilst her parents expected her to take a secure job, get married and "settle down". Much of the action also centred around Maggie staying with her feisty octogenarian grandmother in Inverness-shire: the latter frequently acted as an important confidante to her granddaughter. The two series followed Maggie's progress, ending as she faces a crossroads in her life - whether to go to university or work for the family business. The theme music was by pop star B. A. Robertson.

Late Night Theatre is a UK television anthology series produced by Granada Television, Scottish Television (STV), Southern Television, and Westward Television. Forty-four episodes were aired on ITV (TV network) from 1972–1974.

A young woman in rural Scotland faces hardship after hardship as she struggles to keep her family farm going through personal losses and the devastation of World War I.

In the western isles of 1930s Scotland, Peter 'Para Handy' MacFarlane, captain of the puffer Vital Spark, treks around the coastal waters of west Scotland and variously schemes himself and his crew into mischief.

Norman Lovett stars as an eccentric artist in this alternative comedy from the mid 90s. Norman plays a character, named for himself, that lives in an imaginary world where his companion is a talking dog. In this alternate reality, inanimate objects often speak to him.