Pablo Picasso

An 18th century poet travels through time in search of divine wisdom. In a mysterious wasteland, he has a series of enigmatic encounters with symbolic phantoms with whom he muses about the nature of art and his own career. Ultimately, the poet strives to achieve his rebirth as a celestial being.

Home movie from Man Ray while on vacation with Pablo Picasso, Paul, Nusch and Cecile Eluard, Emily Davies, Valerie and Roland Penrose. The friends have fun with themselves and performing for the camera.

Documentary filmmaker Védrès' first semi-fictional feature was released in France in 1949 as La Vie Commence Demain. The film made it to the U.S. in 1952 as Life Begins Tomorrow. Made in cooperation with UNESCO, the film speculates on the future of mankind after the advent of Atomic Energy. Many prominent French artists and intellects contribute to the narration: Jean-Pierre Aumont plays The Man of Today, Andre Labarthe is the Man of Tomorrow, and Jean-Paul Sartre, Daniel Agache, Jean Rostand, Le Corbusier, Pablo Picasso and Andre Gide are respectively seen as "The Existentialist," "The Psychiatrist,' "The Biologist," "The Architect," "The Artist" and "The Author". Film clips of hospitals, schoolrooms, scientific laboratories, and even nightclubs are woven into Védrès' fascinating tapestry.

Martin Scorsese’s portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New York’s Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitz’s distinctive worldview through her spontaneous monologues and public appearances.

Great filmmakers claim the artistic influence of French director Henri-Georges Clouzot (1907-1977), a master of suspense, with a unique vision of the world, who knew how to offer both great shows and subtle studies of characters. Beyond the myth of the tyrannical director, a contrasting portrait of a visionary, an agitator, an artist against the system.

As the title of this French documentary indicates, Ce Siecle a 50 Ans examines the 20th Century at its halfway point. Utilizing the archives of several European film reserves, director Denise Tua offers a fascinating mosaic of the people and events that shaped the years 1900 to 1950. Complementing the vintage film clips are three dramatized sketches, delineating the romantic customs of three different points in time. These sketches are inadequately performed, and can easily be ignored. Ce Siecle a 50 Ans both preserved and provided celluloid material for scores of future documentaries.

Women (many of them lesbian) artists, writers, photographers, designers, and adventurers settled in Paris between the wars. They embraced France, some developed an ex-pat culture, and most cherished a way of life quite different than the one left behind.

Pablo Picasso is one of the greatest artists of all time - and right up until his death in 1973 he was the most prolific of artists. Many films have dealt with these later years - the art, the affairs and the wide circle of friends. But where did this all begin? What made Picasso in the first place? Too long ignored, it is time to look at the early years of Picasso; the upbringing and the learning that led to his extraordinary achievements.

Various international presentions are featured through satellite uplink.

Using a specially designed transparent 'canvas' to provide an unobstructed view, Picasso creates as the camera rolls. He begins with simple works that take shape after only a single brush stroke. He then progresses to more complex paintings, in which he repeatedly adds and removes elements, transforming the entire scene at will, until at last the work is complete.

"The Art-collector and the catastrophe" - The untold story of how Sweden lost a world class art collection. Private art collector Theodor "Teto" Ahrenberg obtained art directly by artists like Picasso, Chagall and Matisse. He became friends with the international artists elite. And therefore developed a conflict with the Swedish art establishment. The Director of the Modern museum Pontus Hultén became his nemesis. Revenge to Theodor Ahrenberg would be creating his own art museum of Stockholm. Designed by world-famous architect Le Corbusier.

The evolution of Picasso's painting up to his “pink phase.”

Involved in the Spanish Civil War, threatened by the Nazi occupiers, glorified at the Liberation, starred during the Cold War: is Picasso's magnified aura really in tune with reality? Without denying his genius, Manuelle Blanc examines the heroic figure of the artist in the Resistance, sifting through the reality of historical events and his actions. Drawing on archive footage and the insights of specialists (academics, critics and art historians), her film sheds light on the weaknesses, contradictions and ambiguities of the man who remains, half a century after his death, an undisputed icon of modern art.

Painter Françoise Gilot shared Pablo Picasso's life from 1943 to 1953. This union nourished their respective artistic creations.

La Garoupe, a beach in Antibes, in 1937. For one summer, the painter and photographer Man Ray films his friends Pablo Picasso, Dora Maar, Paul Eluard and his wife Nusch, as well as Lee Miller. During these few weeks, love, friendship, poetry, photography and painting are still mixed in the carefree and the creativity specific to the artistic movements of the interwar period.

Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?

In this short 20 minute black and white Belgian documentary, the director, Paul Haesaerts, visualised Pablo Picasso’s flow of imagination when the Spanish painter drew on large glass plates in front of the camera – like a live show of a greatest artist in performing a few masterstrokes that outlines a dove, bull, flower, man or woman and whatnot. (This technique of filming his painting from the other side of the glass plates precedes The Mystery of Picasso (1956), another famous documentary film on Picasso). (via http://www.kubrickians.com/2012/07/08/visite-picasso-1949-paul-haesaert/)

Picasso: The Man and His Work, Part 1 - 1881-1937 is a comprehensive documentary featuring Pablo Picasso himself. Filmed largely at Picasso's home in the south of France, the video presents footage of the world-famous Spanish painter and sculptor at leisure and at work. During the last 22 years of Picasso's life, filmmaker Edward Quinn had unrestricted access to the artist. Here, Quinn creates a video scrapbook of exclusive home movies and photographs, as well as more than 600 of the artist's works never displayed in public. Simultaneously, he traces the development of Picasso's life and work, discussing certain pieces and periods, giving some insight into the artist's creative process.

In 1906, Georges Braque and Pablo Picasso were 24 and 25 years old. The Butte Montmartre is their Parisian sanctuary where artists in need of recognition meet. Braque and Picasso become friends to the point of never leaving each other. For the moment, their paintings do not interest many people; only Apollinaire, then aged 26, and the young gallery owner Daniel-Henry Kahnweiler, 22, saw immense potential in them. And in addition to their passion for painting, these four inseparable boys share the same appetite for modernity. Collages, diversions of materials and geometrization of forms: cubism opened the way to abstraction. A revolution initiated by Picasso and Braque, which profoundly changed the course of the history of modern art.

Communism spread to all of the continents of the word, lasting through four generations and over seven decades. Hundreds of millions of men and women were affected by this political system, one of the most unjust and bloodiest in history. Using newly discovered propaganda films and archival photos, these four episodes explore the mysteries of this totalitarian political machine that lured its share of important followers into the fold. Known as the red church, communism seduced its ardent followers like some earthly religion.