Patricia Adriani

Diana's parents have separated. Diana moves to a boarding school, by order of her parents, to complete her education. There she will meet her gym teacher, with whom she will have a close friendship. After an accident, this friendship will become something more.

In a town near Salamanca, an eccentric widower, aged 60, is captivated by an imp, a precocious 13 year old. Alejandro is wealthy and alone, passing time with music, chess, and his shotgun. Gregoria (Goyita) the daughter of a weak-willed policeman and his bullying wife, is a budding naturalist who conspires to meet Alejandro. Even though he knows the village is talking, Alejandro spends time with Goyita, on walks, horseback rides, and dinners. He's enchanted and tells his friend the village priest that he's living for the first time. Goyita makes new demands on Alejandro, and he must decide how to be true to his ethics and to this Platonic yet highly-charged relationship.

Benito a.k.a. Guarapo, is a young laborer without land, who dreams of emigrating to America for a better future.

Julio's mother forces him to marry a female student to free him from his love for a male painter.

María, a young and attractive woman, loses her job, meets Luis, a young man with no stable job neither, his wife supports him. Luis wants to start a relationship with María, but she doesn't. She prefers to be with Luis' friends instead.

A series of vignettes is woven into a larger story in this first film to be written and directed by Juan Minon and Miguel A. Trujillo. A writer who works in a bookshop to earn a living meets a wealthy American named Kargus looking for talent to ensconce in his projected art colony in the Gilbert Islands. In order to convince the American to take him on as a good prospect, the writer promotes his own stories -- the vignettes seen in the film. One story is about a young man trying to impress his girlfriend with his new car, a car he indirectly borrowed from a rental agency. His efforts to hide the rental sign on top of the car lead to various comical posturings. Other vignettes are from the era of the Spanish Civil War, including one about two people trying to survive by hunting cats and killing them to sell to butchers. Another vignette shows pro-Franco activists eradicating anti-Franco graffiti in Madrid.

A mix of characters and actions create only a semblance of a plot in this confusing tale of intrigue, undefined crimes, and incest. A newspaper reporter is working on a story about a criminal serving time in jail. He interviews the prisoner, has an affair with the criminal's daughter, and also spends some time in bed with his editor's wife. His amorous life is an adjunct to his searching out the details of the prisoner's case -- though tragedy strikes before the journalist can wrap everything up. In the meantime, it becomes clear that the daughter and imprisoned father had an incestuous relationship, raising more questions than answers.

A journalist, overwhelmed by problems, contemplates suicide. He then finds a way out of his desperate situation by fleeing to a mountain village haunted by the legend of a bloodthirsty wolf that he, perhaps, can hunt.

Adapted from the novel by Juan Marse, the film shows two distant worlds in the Spain of the 50's, the suburban and the bourgeois, which are related through two characters, Manolo Reyes, vulgar motorcycle thief who aspires to escape poverty and Teresa Serrat, university student of bourgeois extraction seduced by the revolutionary cause.

A beautiful young girl parachutes onto a remote island and finds herself taken prisoner by a gang of criminals hiding out there.

A young university student returns to her family's country villa near a lake where years earlier her mother drowned. She is supposedly researching a local legend, a witch called Kira and strange symbol associated with her.

In Madrid, the family of Don Luis, his wife Dolores and their children, Manolita and Luisito, share the daily life of the Civil War with their maid and neighbours. Despite having failed his exams, Luisito wants his father to buy him a bicycle. However, the situation forces them to delay the purchase and the delay, like the war itself, is to last much longer than expected.

German, a young theater director, tries to organize a theater play about Lulu, a prostitute that was killed in London by Jack the ripper. While looking for the protagonist, Rufo appears, an introvert jazz musician. He could play Jack the ripper.

Narcisus and Psyche is based on a novel by Sandor Weores which was adapted by Vilmos Csaplar and director Gabor Body for a feature-length film. Borrowing the character of Psyche from mythology and placing her in Europe in the 19th century, the authors give her a "modern" life. She is an attractive young woman - and remains so throughout the film, in spite of one hardship after another. Psyche is libidinous, and her prurient interests shock her staid contemporaries.

A boatswain finds himself stranded on an island. Though surrounded by starving, and poor islanders, the boatswain soon learns that the misery is not caused by the people themselves, but rather by a pack of blood-thirsty pirates.

In Madrid, a Lawyer gets the freedom for "El Chirlo" a usual 20 years old crook. Chirlo wants to thank Jaime, his lawyer, the defense and treat him for a meal with Rocio, Jaime's girlfriend. Jaime leave so Chirlo and Rocio go together to take a walk. Since then, everything turns bad.

A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.

An account of the life of Teresa of Ávila (1515-1582), from her spiritual awakening to her final days, as she struggles to reform the Order of the Carmelites and with her own faith.