Christine Harnos

The adventures of a group of Texas teens on their last day of school in 1976, centering on student Randall Floyd, who moves easily among stoners, jocks and geeks. Floyd is a star athlete, but he also likes smoking weed, which presents a conundrum when his football coach demands he sign a "no drugs" pledge.

Four young friends, while taking a shortcut en route to a local boxing match, witness a brutal murder which leaves them running for their lives.

Three generations of the same family deal with the consequences of unleashing the forces of hell.

A team of Navy Seals are sent to destroy a disabled submarine so it will not fall into the "wrong" hands. They complete their mission, but are captured before they can return to their base. The U.S. Government will not mount a rescue mission to free the soldiers, so their teenage children take over. The kids find a way to venture into the foreign country and then must overcome many obstacles.

Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.

Olympic gymnastics coach Francine Lake and her twelve gorgeous students train on the Island of Crete. The rigors of training preclude most sexual activity with the locals, thus the girls spend their evenings in quiet frustration.

High school sweethearts Roslyn and Michael, now in their twenties, co-exist in a deeply unfulfilling marriage with kids. Both embark on extramarital affairs, unaware of the violent repercussions that await.

A former LA cop runs a top-flight private detective agency that caters to spoiled Hollywood types.

Importing illegal automatic weapons for resale is a big business and Moe is the middleman. Even with the huge monetary rewards available, he finds that his love life is suffering and he is looking for that special someone. When he finds her, he wants to become respectable and marry, but it seems that business and a double date conspire to end this romantic relationship once and for all.

A taxi driver (Quaid) pounds Zen parables (if time money, is time the root of all evil?) into his passenger in a high-speed, idiosyncratic tour of their city's ethnic coteries. All the boy wants is to dispose of his date's dead dog and get back to the babe who's so hot she mutters darkly about being a pressure cooker.

A young woman tries to leave her troubled past behind. She meets her old flame by accident and they fall in love again, but this obsessive relationship threatens to consume them.

A rock-n-roll sex comedy about a young girl who will do anything to become a rock star, working in an LA domination parlor to support herself.

A disgruntled worker rigs a bomb, triggered by a motion sensor, on the roller coaster at a financially troubled amusement park.

Charles Veasey is a cop killer who's on death row waiting for his execution. One day he escapes. Nikki a cop, whose father Veasey killed has decided to go after him, despite what her superiors say. Harrison Coyle, a crime author, offers his assistance to Nikki, who refuses, but Coyle thinking that it would be good material for another book, pursues Veasey, and bumps into Nikki. Which infuriates her. Eventually, they agree to work together.

Pulled to the far side of the galaxy, where the Federation is 75 years away at maximum warp speed, a Starfleet ship must cooperate with Maquis rebels to find a way home.

ER explores the inner workings of an urban teaching hospital and the critical issues faced by the dedicated physicians and staff of its overburdened emergency room.

Rebel Highway is a 1994 revival of American International Pictures, created and produced by Lou Arkoff, the son of Samuel Z. Arkoff, and Debra Hill for the Showtime network. The concept was a ten-week series of 1950s "drive-in classic" B-movies remade "with a '90s edge". Each episode shares a title with a late 1950s-early 1960s-era AIP film. However, they are not remakes; each installment is a different story from that which they are titled. The impetus for the series, according to Arkoff was, 'what it would be like if you made Rebel Without a Cause today. It would be more lurid, sexier, and much more dangerous, and you definitely would have had Natalie Wood's top off'.