Pier Maria Rossi

The gangster Tony Aniante in the middle of a feud between two mafia families. He manipulates both families into believing he is on their side and are just waiting for the right moment to take the initiative...

Rossellini takes numerous liberties with the original source material, rearranging and omitting events at will, presenting everything in a highly undramatic fashion. The film begins in the time of the Old Testament, allowing Rossellini to present the story of Jesus in its ancient, historic context.

Rico is a not too successful screen-player. He is also a repressed sex addict. His life changes when he starts to talk to his own penis, which incredibly answers him! All his relationships and views about reality are seriously impacted by his new "friend", his penis! The "two" in fact, often have different opinions, and sometimes the personality of "it" is stronger than its owner.

Madonna Violante goes to Rome to find the three Armida daughters, Lorenza and Vanna, who she has not seen for many years; but first she stops by her friend Antonia from whom he learned many unseemly things about them.

A young woman is tormented by nightmares of her miscarriage. She becomes unfaithful to her husband and meets various lovers. Eventually, reality begins to unfurl around her.

Two spouses, whose marriage is shipwrecked, recall during a last meeting, scenes and episodes of their life as a couple.

A young nobleman battles against the ferocious woman who’s reigning upon those lands. The truth, as told by a poor but valiant mute, is that the real sovereign is the young boy and helps him defeat the evil ones.

The life and times of Antonio Gramsci from the establishment of L'Ordine Nuovo newspaper in 1919 to his untimely death in 1937, encompassing the birth of the Italian Communist Party (PCd'I), Gramsci's visits to Moscow where he met his future spouse, his election to Parliament, anti-fascism, trial and conviction.