Beatriz Spelzini

Inspired by true events, this is a nocturnal thriller that follows the 2015 kidnapping of Chichita—mother of writer Hernán Casciari—by Daniel Olesnik. Olesnik seeks to settle a blood debt: to avenge a prank played by Hernán and his friend Chiri back in 1987, which drove his own mother to suicide. It is an inescapable, suffocating, and deadly spiral of vengeance that unfolds over the course of a single night.

An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof. When the siblings’ older brother and his fiancee arrive home for their wedding, it seems inevitable that the concealment will be impossible to sustain. But equally it becomes apparent that if Lucia were to find out about the affair, there would be catastrophic consequences.

Battling terminal cancer, a woman writes a one of a kind notebook about life, death and love for her son to remember her by. Based on a true story.

A policewoman returns with her young daughter to her hometown to care for her dying mother. The murder of a young girl will keep her there longer than expected. She will try to solve a case that no one seems to care about, risking everything on the path.

It is the year 2058. Maria Ana, an old Woman lives alone. Her husband Alesandro died years earlier due to a terminal illness. Memory Corp is a company that offers its users the opportunity to see in detail specific moments from their past, allowing them to relive memories via a connection made through neuroscientific technology. Maria Ana goes to Memory Corp every day to meet with Alesandro and relive moments with the love of her life, but one day an error occurs in the system that causes the loss of her entire past, taking Alesandro with it and completely altering her current reality.

Barbara is a teenager overwhelmed by her parents' relationship, by the contradictions between her desires and the society she lives in, by love, heartbreak, and misunderstandings. One early morning, she drives 100 kilometers back from a party in Villa Mercedes with her boyfriend Federico, two friends, and a lot of alcohol. Amidst death, helplessness, and incomprehension, her 80-year-old grandmother Olga's story appears at the perfect moment, with the precise wisdom and understanding of a family history of Italian immigrants that repeats itself through generations; with the perfect magic and timing, and a bridge between life and death: the perfect beauty to drain so much pain.

A retired teacher and a soap star leave their routines and the men in their lives behind and embark on a weekend trip.

During a stopover in Buenos Aires on her way to Chile, 31-year-old Maria recognizes a nursery rhyme. Maria doesn't speak a work of Spanish, but without understanding what she is singing, she remembers the Spanish lyrics. Disturbed and thrown off course, she decides to interrupt her journey and wander through the unfamiliar city.

Four friends, who are volunteer firefighters, get into a series of problems when they discover a fraud.

Matías Piñeiro's first film, produced when he was a film student.

19th century Argentina. After having had to leave the country fifteen years ago, prodigal son Rodrigo finally returns to the family farm in Mercedaria to introduce his wife Bianca to his parents. He’s not really looking forward to this family reunion. His youth was spent working with the slaves on the farm who were treated without mercy by his parents. His father regularly abused the female slaves, while his mother even burned one alive to save the family honor. It’s time for some ghostly revenge and this happens to coincide with Rodrigo’s return.

Luis has just returned home after spending time in a neuropsychiatric, and Beatrice, his wife, he fears a relapse. The disappearance of the house cat and certain behaviors Beatriz Luis begins to grow increasingly suspicious of his behavior.

Sonia and Arturo live in a house that appears safe but is too large and silent. One night, three armed men violently break into the couple's property. Arturo manages to escape and capture the youngest and most inexperienced of the thieves, deciding to kidnap him and discipline him in the basement of the house. Gradually, the anger dissipates, and strange familial ties emerge that Arturo and Sonia believed were long gone. "Salvajes" is a violent portrayal of a divided society, in an unequal social fabric where the boundaries between victim and perpetrator become blurred.

Over a long weekend, a group of friends gathers together, a diverse representation of the last twenty-five years of the Italian left. Some of them haven't seen each other in a long time; the occasion is the release from prison of a former friend and comrade, accused of killing a judge in the 1980s. Roberto Ferro is on parole and wants to know which of his former comrades reported him. Among the friends, some have achieved privileged positions; others, like Nanni and Malena, have adapted to a more modest life and have retained, at least in part, the ideals of their youth. Malena, an Argentine exile who experienced torture at the hands of the military, had a love affair with Roberto and, before that, a strong bond with a disappeared comrade. Roberto's return reignites personal and political conflicts within the group.

Rafael (Dumont) is a desolate retiree who doesn't want to live anymore and who travels to Mendoza with the idea of committing suicide. He stays at a small-time hotel called Rex, and there he meets Gladis (Spelzini), a lonely woman who works as a maid and takes care of her blind brother. Both live a sad life, with many marks from their past, but little by little a relationship between them is emerging.

Leo and María are expecting their first child and are about to move. María wants to give birth in her hometown, but Leo, upon learning that his father urgently needs a heart transplant, postpones the trip, takes him to live with him, and takes over the family business. His obsession with saving his father distances him from his own fatherhood and plunges him into a period of waiting that encompasses life, death, mourning for what was never, and the hope of what is still possible.

Sixteen years after she gave him a farewell kiss, Santiago is reunited with his cousin and childhood sweetheart Luciana, when she returns home to Buenos Aires from New York. When their curmudgeonly grandfather Mauricio has a near-death experience, Luciana decides to take family matters into her own hands and prepare the traditional Passover Seder.

Before dying, Jenny's mother writes four letters for each of the stages her daughter will live without having her at her side. After an early pregnancy and a marriage that ended in failure, Jenny opens the fourth card, which will lead her to Israel.

Two siblings on a mission. After their elderly father gets hurt in an accident, they run to his side. He has breaking news about their mother, who abandoned them. He also hid something valuable and now brother and sister must work together.

German Oesterheld who wrote The Eternauta goes to apply a new job in the most prolific argentine publisher on those days. The comics of this publisher are simple and plain in style with a constant particular feature; the bad boys are always the indians, the cubans or the aliens. When German arrives a revolution between publishers writers and comic driver is begun because they feel attracted am jealous for the teachers arrival. The military dictatorship government rules the streets and everywhere even in the publisher building the things and relationships begun to change and German has to be hidden to be able to let know his toughts.

Time to Think proposes to address the problem of gender violence, questioning stereotypes and the ways in which women are represented in the media. Each episode poses a conflict that runs through the daily life of a woman and her environment. With a mixture of drama, romantic comedy, and humor, it addresses a socio-emotional conflict that runs through a woman's life, faced with situations that intersect opposite feelings.