
Junji Ito
Writer · b. 1963 · Sakashita, Gifu, Japan
Junji Ito (Japanese: 伊藤 潤二 Hepburn: Itō Junji, born July 31, 1963) is a Japanese horror mangaka. Some of his most notable works include Tomie, a series chronicling an immortal girl who drives her stricken admirers to madness; Uzumaki, a three-volume series about a town obsessed with spirals; and Gyo, a two-volume story where fish are controlled by a strain of sentient bacteria called "the death stench."
Movies3
MovieHorrorAnimationYosuke Shinkai is haunted by a past he cannot recall - and a body that is rapidly decomposing. He is a living corpse, unclear who he is or why he has been brought back to life only to suffer again a slow gruesome death. Based on the 1986 horror manga by Hideshi Hino.
Movie5.4HorrorMysteryFollowing some trauma in her past that has since been repressed, a young woman is trying to recover her memories with the help of a psychiatrist. During her hypnosis sessions, she repeats the name "Tomie" but is unable to recall where she knows it from. Meanwhile, a police detective is investigating a string of brutal murders, where he also runs across the name "Tomie." How are the two connected?
Movie6.3DocumentaryDirector Guillermo del Toro journeys through a labyrinth of childhood memories, cultural myths and monsters to reveal the origins of his visionary films.
Sangre del Toro
2025 · 13 votes
Series2
TV7.0MysteryDramaKirie tries to escape from her town Kurouzu-cho, where the residents get obsessed with spirals due to an unexplained curse.
Uzumaki
2024 · 191 votes
TV8.2DocumentaryUrasawa Naoki no Manben (Naoki Urasawa's Manga Exertions) is a TV Documentary airing on NHK Educational TV. It follows acclaimed mangaka Naoki Urasawa (creator of 20th Century Boys and Monster) as he sets out to break new ground for manga even further than he already has. In an attempt to educate viewers about manga and preserve the intricate craftsmanship and process of Japanese artists on video for future generations, he invites a manga artist to have their workplace filmed for a couple of days, so as to display them in the process of crafting chapters for their current serializations. After the footage has been shot, Urasawa meets with the artist and they discuss the footage, talking about the artist's workplace and workflow, the difficulties involved in the mangaka lifestyle, their reasons for drawing manga in the first place, and their perspective on the current industry and their own work.