Giovanni Floris

Marco Santin and Giorgio Gherarducci - supported in the studio by Mago Forest, a great cast of comedians and many surprise guests - comment with biting irony on the most popular TV programs, the main sporting events and the last web trends.

A patch is something commonly used to cover a hole in a dress. Valerio Lundini is a Roman surrealist comedian, who is called every night to replace a programme that, for various reasons, cannot go on air -- he basically puts "a patch" in a TV schedule. But can he?

2049. Emanuela Fanelli is 63 years old and lives alone in a small isolated mountain village in Valle d'Aosta. She doesn't act anymore, she shied away from cameras and has been forgotten by the showbiz. Through a ironic and speculative tone, Peccato interrogates on the reasons of the actress' retreat, by a "what if" narrative that goes back through Fanelli's carreer and the mysterious scandal that caused her downfall.

Alarmed by the news that for each working Italian there's a retiree, 70-year-old Walter decides to do his part by helping "a young person who's working for him." He chooses Piero, a model worker and upstanding citizen so shy that he can't bring himself to declare his feelings for night-time street cleaner Francesca. Walter starts giving him some old-hand advice on the matter.

When a producer refuses to cut Massimo and his band a record unless they hire an "ethnic" singer to spice up the act, he tries to seduce Jing, a Chinese girl with a beautiful voice disinterested in both him and rock, to get her on board. She pretends to cave in in order to escape an arranged marriage, but in the weeks preceding the concert the two begin to grow closer, complicating the secretly fake nature of their relationship.

Rigoletto is a jester in the court of the Duke of Mantua. He has a hunch-back and he's rather unattractive, but he's good at his job of humiliating the courtiers for the amusement of the Duke. The courtiers, of course, are not amused. The Duke is a ladies man who feels his life would be meaningless if he couldn't chase every skirt he sees. In fact, we learn as the opera begins that he's recently been noticing a young lady every Sunday on her way to church, and he's vowed to have his way with her. What nobody realizes is that the girl is the jester's beloved daughter, Gilda, and that Gilda has seen the Duke every Sunday and is smitten with him. Suddenly Count Monterone appears at court, furious that the Duke has seduced his daughter. Rigoletto ridicules Monterone, the Duke laughs, and Monterone casts an awful curse on both of them. Later, the courtiers discover that Rigoletto is secretly living with Gilda...