Manolo Otero

On an island somewhere in the Caribbean a professor is experimenting with mankind. Meanwhile, The Red Lips are moonlighting on a striptease world tour, but as soon as they hit the stage, the girls are up to their pasties in stiffs, Satanists and Sapphic sadists, all after the professor's secret formula for human clones!

A young girl marries the wealthy father of one of her male friends at college, but she soon finds herself falling for her new husband’s son. The husband finds out about the two, and comes up with what he believes to be a foolproof plan: he will frame his wife and his son for his own murder, then have the pair locked in a room in his remote, isolated estate–with his own dead body.

Adaptation of Shakespeare's Antony and Cleopatra, a historical drama that attempts to bring an epic visual style to the Bard's original stage play. The story concerns Marc Antony's attempts to rule Rome while maintaining a relationship with the queen of Egypt (Hildegarde Neil), which began while Antony was still married. Now he is being forced to marry the sister of his Roman co-leader, and soon the conflict leads to war.

"Red Lips" are two female detectives trying to find missing models and dancers. A pop artist called Klaus Thriller and his werewolf-like assistant, Morpho, are the main suspects for the murderers.

Medieval erotic comedy in which a young man, played by Manolo Otero, comes to a town where he pretends to be tooth-puller and physician. This man is able to invent any potion to quench the sexual thirst of locals.

In the dry, dusty western hamlet of San Angelo, landowner Joe Bradford kills his brother and then marries his brother's widow, Gertie. Gertie's son, Hawk, decides that something's rotten in this state of affairs and thinks about taking action

Taxi driver Tadeo is about to encounter a busy shift. Throughout the day heterogeneous characters get into his taxi and the most varied situations arise. One of them leaves a baby in the taxi and Tadeo must find out where the little one belongs. He tackles this daunting task while keeping in the back of his mind that at the end of the day he has an appointment with a mysterious woman who apparently needs to tell him something very important.

Four families intend to buy a flat. In one of them, Margarita wants to marry Ernesto, despite his reluctance. The purchase of the flat is a great inconvenience and he uses this to delay the wedding as much as possible.

Jézabel, a worldly young woman, takes hold of Ariel, a shy and inexperienced young man, and leads him by hook or by crook through the wild side of Paris nightlife.

A woman living in a small town discovers after fifty years that she is actually a man. Will she change her sex and suffer the reaction of a narrow-minded society?

In a police station in Madrid, four married couples receive shocking news.

La Araucana is a Chilean film based on an epic poem in Spanish about the Spanish conquest of Chile, by Alonso de Ercilla; it is also known in English as The Araucaniad. It is considered the national epic of the Kingdom of Chile and one of the most important works of the Spanish Golden Age

When truck driver Manolo is accused of a grave crime by a young woman from a nearby town, his fate hangs in the balance. Enter Marta—a sharp, determined lawyer whose brilliance quickly shatters his initial mistrust. As she digs through layers of small-town secrets and conflicting testimonies, Marta becomes convinced of Manolo’s innocence. But with circumstantial evidence stacked against him, the only way out is to uncover the real culprit—before the law forces a choice between prison or a marriage he refuses to accept.