Fats Domino

Philo takes part in a bare knuckle fight – as he does – to make more money than he can earn from his car repair business. He decides to retire, but when the Mafia come along and arrange another fight, he's pushed into it. A motorcycle gang and an orangutan called Clyde all add to the 'fun'.

A down-and-out gangster hires a down-on-his-luck agent to make his girlfriend a recording star within six weeks.

Director — and piano player — Clint Eastwood explores his life-long passion for piano blues, using a treasure trove of rare historical footage in addition to interviews and performances by such living legends as Pinetop Perkins and Jay McShann, as well as Dave Brubeck and Marcia Ball.

Jamboree adheres to the usual formula of late-1950s rock & roll films: A plethora of musical numbers linked together by the wispiest of plotlines. Kay Medford heads the cast as manipulative showbiz agent Grace Shaw. Hoping to land pop singer Pete Porter, Grace connives to break up Pete's romance with female vocalist Honey Wynn. But who cares? The audience came to see such musical faves as Fats Domino, Count Basie, Jerry Lee Lewis, Jodie Sands, Ron Coby, Slim Whitman, Carl Perkins, Frankie Avalon, Charlie Gracie and the Four Coins. As a promotional tie-in, Jamboree also features appearances by 21 of North America's top rock-and-roll deejays.

The documentary is a portrait of of the oldest video library in the world and its owner, Eckhard "Ecki" Baum. Baum opened the "Video Film-Shop" in Kassel, Germany in the summer of 1975. It all began in the Wolfsanger district with the sale and exchange of Super 8 films, that soon led to a bigger shop and some daring methods.

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

A TV star meets with opposition from adults who object to the opening of a rock 'n' roll palace for teens.

Are you ready for some old-time rock and roll?! Then you are ready for the masters, the originators, the men who made the music, the "Legends of Rock 'n' Roll Live." Join the "Godfather of Soul" James Brown, "The Killer" Jerry Lee Lewis, "Mr. Blueberry Hill" Fats Domino, "Hey" Bo Diddley, the "Genius" Ray Charles, "King of the Blues" B.B. King and "Tutti Frutti" Little Richard as they raise the roof "old school style." There's nothing like the originals, and this concert proves it once and for all! Songs: Papa's Got a Brand New Bag, I Feel Good [I Got You] (James Brown), Bo Diddley, I'm a Man (Bo Diddley), Mess Around, I'm a Fool For You (Ray Charles), Great Gosh a' Mighty (Little Richard), The Wild One [Real Wild Child], Great Balls of Fire, Whole Lotta Shakin' Goin' On (Jerry Lee Lewis), I'm Ready, Blueberry Hill (Fats Domino), Let the Good Times Roll, How Blue Can You Get? (B.B. King), All-Star Jam (Company).

Documentary of a 1950s rock and roll revival show, with split-screen editing to rival Woodstock.

One of the most popular rockers of the 1950s and early 60s, Fats Domino and his record sales were rivaled then only by Elvis Presley. With his boogie-woogie piano playing rooted in blues, rhythm & blues, and jazz, he became one of the inventors, along with Presley, Chuck Berry, Jerry Lee Lewis and Little Richard, of rock ‘n’ roll, a revolutionary genre that united young black and white audiences.

Director Richard Pearce (The Long Walk Home, Leap of Faith, A Family Thing) traces the musical odyssey of blues legend B.B. King in a film that pays tribute to the city that gave birth to a new style of blues. Pearce's homage to Memphis features original performances by B.B. King, Bobby Rush, Rosco Gordon and Ike Turner, as well as historical footage of Howlin' Wolf and Rufus Thomas.

Two years after a harrowing rescue from Hurricane Katrina, music legend Fats Domino headlined a 2007 benefit concert for New Orleans hometown, performing hits to an adoring audience. The special captures Domino's triumphant return to the stage and provides an up-close, biographical look at Domino's storied career.

Rick Nelson & Fats Domino perform in a legendary concert on August 22, 1985, recorded live at the Universal Ampitheatre in Los Angeles. The first act was Rick together with his old pals the Jordinares performing some of Rick's top hits. In the second half, Fats went to work on his great classics. The finale saw both men perform an amazing duet of I'm Walkin' which had been a big hit for both of them. Recorded just 4 months before Rick Nelson's tragic death.

The Mike Douglas Show is an American daytime television talk show hosted by Mike Douglas that originally aired only in the Cleveland area during much of its first two years on the air. It then went into syndication in 1963 and remained on television until 1982. It was distributed by Westinghouse Broadcasting and for much of its run, originated from studios of two of the company's TV stations in Cleveland and Philadelphia.

The Dick Cavett Show has been the title of several talk shows hosted by Dick Cavett on various television networks.

The Ed Sullivan Show is an American TV variety show that originally ran on CBS from Sunday June 20, 1948 to Sunday June 6, 1971, and was hosted by New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the CBS Sunday Night Movie, which ran only one season and was eventually replaced by other shows. In 2002, The Ed Sullivan Show was ranked #15 on TV Guide's 50 Greatest TV Shows of All Time.

Now the longest-running music series in American television history, ACL showcases popular music legends and innovators from every genre.

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

American Masters is a PBS television series which produces biographies on enduring writers, musicians, visual and performing artists, dramatists, filmmakers, and others who have left an indelible impression on the cultural landscape of the United States.

American Bandstand was an American music-performance show that aired in various versions from 1952 to 1989 and was hosted from 1956 until its final season by Dick Clark, who also served as producer. The show featured teenagers dancing to Top 40 music introduced by Clark; at least one popular musical act—over the decades, running the gamut from Jerry Lee Lewis to Run DMC—would usually appear in person to lip-sync one of their latest singles. Freddy "Boom Boom" Cannon holds the record for most appearances at 110. The show's popularity helped Dick Clark become an American media mogul and inspired similar long-running music programs, such as Soul Train and Top of the Pops. Clark eventually assumed ownership of the program through his Dick Clark Productions company.

The Dick Clark Show is an American musical variety show broadcast weekly in the United States on the ABC television network 7:30-8 PM on Saturdays from February 15, 1958 through September 10, 1960, sponsored by Beechnut Gum.

Disco was a pop music program that aired in Germany on the ZDF network from 1971 to 1982. It generally aired on the first Saturday of each month at 7:30PM, each show running 45 minutes. 133 shows were produced. The show was hosted by German actor and comedian Ilja Richter. Its lesser known predecessor on ZDF, 4-3-2-1 Hot & Sweet was aired between 1966 and 1970, presenters included Ilja Richter and Suzanne Doucet. Disco generally served a younger pop-oriented audience compared to ZDF's Hitparade, and until 1972, its main competitor was Beat-Club, followed by Musikladen, both on ARD. Repeats of Disco have been aired since 1984 on ZDF Musikkanal, after its closedown in 1989 on 3sat. Since 2004, the digital ZDF Theaterkanal aired repeats of the entire series. In 2007, ZDF Dokukanal began to air reruns, starting with episodes from 1975 and also multiple repeats of the series have been shown on hit24 in 2008. The show focussed on chart hits current at the time of airing, giving about equal airtime to international pop music and German Schlager. Despite its name, it did not particularly focus on disco music although it featured many disco hits as long as they were chart relevant..