Markus Maria Profitlich

Every evening at 6:45 p.m. sharp, a prominent guest takes a seat on the red sofa—and DAS! provides daily updates on what's hot in the north.

The Harald Schmidt Show is a German late night talk show hosted on Sky Deutschland by comedian Harald Schmidt. The show first aired from 5 December 1995 to 23 December 2003 on Sat.1. Schmidt then moved his show to Das Erste as Harald Schmidt and Schmidt & Pocher, but he returned to Sat.1 on 13 September 2011. After cancellation on Sat.1, the show continued on Sky Deutschland in September 2012.

Tigerenten Club is a German children's television programme. The programme involves a mix of games, quizzes, cartoons and outside reports from the presenters and children, with the aim to educate and entertain. It is produced by SWR in co-operation with other regional broadcasters, and is broadcast on ARD and KiKa. The logo and the name of the programme is based upon the Tigerente or 'Tigerduck', created by German cartoonist Janosch.

RTL Samstag Nacht was a comedy show, which ran from 6 November 1993 to 23 May 1998 on the German TV network RTL. RTL Samstag Nacht was the first major comedy show in German television, created after the example of the long-running American show Saturday Night Live and broadcast late on Saturday night. It helped comedy in German television to a breakthrough and was a model for several later comedy shows. Karl Ranseier was a recurring character featured in fake news reports telling about his death at the end of each episode. The name Karl Ranseier has become a catchphrase in Germany that has led to its own joke category of Ranseiers which are in widespread usage outside of the comedy origin.

Schillerstraße was a German improvisational comedy show that aired weekly on Sat.1. It was recorded without a script and broadcast unedited to a large extent.

Die ProSieben Märchenstunde is a television movie series that has been produced since 2006. It features characters that are exclusively portrayed by German and Austrian comedians and actors. The series is shot in Prague. The screenplays have - amongst others - been written by Tommy Krappweis, Erik Haffner and Norman Cöster who came up with the stories of Bernd das Brot. Additionally, they are directing and have cameo appearances. Many actors use their respective dialect. Die ProSieben Märchenstunde was nominated for the German Comedy Award in the category Best Comedy in 2006. It is also broadcast on Austrian television channel ORF, which is co-producing the series, airing the programme as Die ORF Märchenstunde.

political cabaret

The tale of Siegfried, a fearless dragon slayer who wins the heart of Celtic beauty Kriemhild.

A hedonistic bachelor - he is his rich family's black sheep - falls for a suicidal mental patient.

Fate has taken its toll on the aging cabaret singer Ruth and the young but terminally ill Jonas. Yet despite their great age difference and their entirely opposite experiences in life, they form an intense bond and give each other a reason and purpose to live.

Oliver and the much older photographer Hendrik are a couple. A rather contrasting couple: Hendrik has already achieved a lot in his life and is considered an 'old hand' in his profession. Oliver, on the other hand, is only at the beginning of his career as a photographer and has retained a childlike naivety and playfulness in his life plans. Oliver and the young Silvia meet at a photo session. It is immediately clear to the ambitious Silvia that Oliver is her springboard to a modeling career. That same evening, Hendrik proposes to Oliver. But Oliver makes an almost unfulfillable condition: He wants a child! Hendrik is completely at a loss. What should he do? Then Silvia bursts into his house. All she really wants is to be photographed by Oliver. But things turn out differently...

When being sent to a boarding school for classical music, teenager Julia discovers rock music - and rock musicians. Torn between these two musical worlds, she has to find her own way.

The daughter of a famous writer believes her mother is responsible for her father's death. Since then the relationship between them is cooled increasingly, to the point that she did not invite her mother when she marries. The husband, far from promoting good relations between them, takes them away even more, which sees the mother and begins to suspect him when he receives a note threatening to kill his daughter.