Sepp Rist

This 1936 film tells the story of the doings of foreign agents in Germany and their allies among the German population. Having placed an ad in a local paper looking for "contact with bigwigs in German industry", enemy agents Morris and Geyer end up making contact with an engineer named Brockau. Brockau has developed an improvement in turning oil into gasoline and that's just what these enemy agents are looking for. Brockau, for his part, needs money, because his girlfriend is a selfish cow who demands more and more toys and trinkets, which has put our naive little nerd deep into debt. Brockau, however, is not the only unwitting maroon to fall into the clutches of the evil agents: the former bank agent Hans Klemm, now doing his service in the Wehrmacht, ends up being contacted by an agent from the other side and ends up getting blackmailed into working for them.

The single farmer Christian is highly sought after by the young, marriage-minded women of the area, but so far he has successfully evaded all matchmaking attempts. Last time, the somewhat bawdy country women Vroni and Petronella were offered to him as potential wives at the marriage market, but this time too he firmly rejected them. However, these young ladies feel personally attacked by his rejection and are now plotting revenge. To do so, they first need to get close to Christian, so Vroni and Petronella disguise themselves as a pig-suckling girl and a stable boy, respectively, and go to Christian's farm looking for work.

A fascinating chronology of 100 years of mountain film history in the Alps. This documentary focuses primarily on films shot on the Matterhorn, the Eiger, and the Grandes Jorasses, considered until the 1930s as the "last problems of the Alps," and shows the evolution of mountain filmmaking through numerous excerpts from documentaries and feature films – notably on the Matterhorn in 1901. The genre, appropriated as a means of mass exaltation by "fascist" regimes during the Second World War, was reinvented in the 1950s by Gaston Rebuffat, Marcel Ichac, and Lionel Terray in the Mont Blanc massif, avant-garde figures of French mountain cinema, who reintroduced, beyond performance, the values ​​of the mountains – and in color – poetry, humor, and sharing among people from all walks of life.

In 1912, the Titanic embarks on its inevitable collision course with history. In the wake of the over-spending required to build the largest luxury ship in the world, White Star Line executive Sir Bruce Ismay schemes to reverse the direction of his company's plummeting stock value. Onboard the Titanic, brave German 1st Officer Petersen struggles to convince his self-important British superiors not to overexert the ship's engines.

Jeff Elliot is an American GI investigating a black market gang in Munich.

Three men want to escape their troubles with women by taking a boat tour on the Rhine river.

For many years, Ulrich, the hereditary forester, and Steinbach, the landowner, were the best of friends. But one day, this friendship is put to a severe test: Driven by financial need, Steinbach wants to have the forest cleared, which Ulrich condemns as brutal exploitation of nature – and therefore refuses to grant permission for the project. To clear the way for his plan, Steinbach ensures that Ulrich is dismissed as forester. When, a few days later, the dam built by Steinbach is blown up and the floodwaters inundate Steinbach's sawmill, suspicion immediately falls on Ulrich. The hereditary forester is ostracized, threatened, and even fears for his life.

When a hunter returns home after two years, he finds nothing is like it used to be, as his cruel rival has stolen his bride.

For Count Egge, there is only one meaningful way of life: living in the magnificent natural surroundings of his mountains. Only hunting matters to him; he even neglects his own children for its sake. Inevitably, this leads to conflicts that result in tragic alienation within the family. These conflicts continue even after the youngest son, Willy, is found dead and Count Tassilo, the eldest, breaks with his father, whose stubbornness he can no longer bear.

Hannes is employed at the Mont Blanc Observatory; the only outside connection is a pilot and Hella over the radio. Hella ascends the mountain but her father dies along the way.

German colonial soldiers fight against the British during World War I.

An expedition goes in search of a party lost in the Arctic a year earlier. (The English-language version of S.O.S. Eisberg.)

In a remote village in Southern Bavaria, hostilities run rampant between a farmer and a luxury hotel proprietor. The former has a smelly dung heap and he hopes to force the hotelier into buying him out at a large profit.

In a small residential town, the two soldiers Peter and Nicky try to win the affections of the artist Ninon from the court theater. Their admiration clashes with their duties as soldiers and they are grounded. Nevertheless, they look at their Ninon in the theater, get caught and flee, with Peter losing his helmet in a girls' boarding school.

A hunter buys a fine hunting dog from a drunkard for twelve bottles of "Krambambuli" schnapps and forcibly impresses upon the animal that from now on it must obey only him. When he catches the dog's former owner poaching, the dog runs irritably back and forth between the two men until it decides in favor of the gamekeeper - who is shot by the hunter the next moment.

At the end of the 18th century, the wealthy French scholar Saussure comes to a small Alpine village and offers 1,000 pieces of gold to anyone who can lead him to the summit of Mont Blanc. The young farmer's son Jacques Balmat wants to take on the dangerous task, even though his father has told him from an early age about the mighty mountain spirits who guard a legendary treasure of gold on the mountain peak.

In the mountains of the Ötztal, the wealthy Fender (Eduard Köck) and Wally (Heath Hatheyer), his only daughter and heir, manage a small farm. He wants to marry the rich, but boring, Vincent (Leopold Esterle). Wally escapes to a mountain hut, where she lives alone and withdrawn. Her love belongs to the hunter, Joseph (Sepp Rist). When she unwisely takes a young vulture from its nest and is attacked by the mother, Joseph comes to her aid and from that point on, she fondly calls him her "Geierwally". He also feels attracted to her, but Wally can't escape the feeling, that the young Afra is his mistress. Mad with jealousy, Wally announces that she'll marry the one who kills Josef. Vincent wants to earn her hand and is determined to kill the Geierwally. Just in time, though, the actual relationship between Joseph and Afra is clarified.

Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Die fünfte Kolonne is a German television series.