Franz Marischka

A comedy directed by Nikolai Müllerschön.

When designer Robert Meering returns from vacation, he discovers the company he worked for unexpectedly went bankrupt so he decides to visit his old boss. His former employer Banninger liquidated the company and claims that all designs of Robert are his. When Robert's Porsche gets stolen by two thieves, he manages to track them down. When they tell him about 40 Porsche's in a dealer shop garage owned by Banninger things change and suddenly get very interesting.

A crime comedy directed by Jirí Menzel, based on a story by Edgar Wallace.

A comedy directed by Franz Marischka.

Jakob Feierabend has a hard time. Everywhere he applies for work, he is rejected. The reason is his last name. He also fails as a waiter in a Chinese restaurant. As a salesman he makes a house call and lets himself be nibbled by the green widow Clothilde Rieker. When suddenly the husband comes home, he has to flee, wrapped in an orange bed sheet. In doing so, he is mistaken by a reception committee for the announced guru. From now on he resides as a guru in the castle of Countess Falkenberg. Jakob's friend Tommi turns this delusion into a lively source of money.

Taking place over 12 hours on New Years Eve, a concert pianist murders his wife's lover, then frames an innocent man.

A formerly unsuccessful musician comes back to his homeland in Carinthia as a famous composer via Broadway and woos his widowed childhood sweetheart.

Matthias Scheichelroither is a poor but always cheerful, or rather, jolly farmer. He has grand plans for his son Heini, nicknamed "Heinerle": He intends for him to one day become a trained academic, a doctor. To achieve this, the old man scrims and saves to give Heinerle a perfect education. But Heini has other plans: Instead of focusing on his studies, he is drawn to music. With the help of Vivian Harrison, a wealthy American woman who is in love with him, he finally manages to organize his first concert as a composer.

In the Bavarian village of Schladerbach, the kobold Hatschipuh and his comrades live, of whose existence only Grandpa Reiter is aware. When the building constructor Lederer builds himself a new mansion, the subterranean settlement of the kobolds gets destroyed, and Grandpa Reiter sees himself forced to move them into his barn. But this abode as well is soon threatened: Since the farm is no longer profitable, Father Reiter plans to sell it…

Wolfgang cannot make up his mind whether to choose a pretty young thing without money or a rich widow. Egon his friend advises him to choose the young girl and leads rich and ugly widow Olga to the altar himself. Now he lives in the lap of luxury, but his jealous wife never lets him out of her sight. Wolfgang takes the hen-pecked husband to the "Ball of the Piggies", where Egon promptly succumbs to the charms of an ever so sweet and sexy Piggy, those of his wife. While Olga ransacks the hotel in search of Egon the next morning, the real beneficiaries are Wolfgang and Eva who chalk up the nocturnal happenings to experience.

Franz Mooshuber, mayor of a little Bavarian town, receives a letter invitation from the mayor of Cannes, asking him to participate in the annual boat joust tournament. When he and his two buddies return, they don't just bring back the trophy but also a bus full of sexy girls and ambitious plans to turn their village into a wild tourist resort.

Based on extensive interviews, shot on 16mm in a series of static long takes, Filmemigration aus Nazideutschland, is one of the most fascinating examples of "Film history on film" ever produced. Straschek devoted years to researching the topic and accumulating both film and non-film materials. Apart from some radio features and articles, however, this 290-minute TV programme remains the only published trace of Straschek's lifelong work on the emigration of film personnel. He had intended to publish a three-volume book, encompassing all available data about 3,000 emigrants originating from the centre and peripheries of film production, but the book never materialised.