Jasna Beri

A tale of dirty filmmakers' job, constructed in the form of collage consisting of authentic events, movie document, while also being an experiment. In the movie, real writer Radoslav Pavlovic and film director Dusan Sabo play themselves as other people, and others as themselves. They're trying to make a film about Kosovo... Cinema observed as parallel life. At the same time, it is homage to French New Wave classic "Breathless" by Jean-Luc Godard.

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

The adventures of a young commie activist, whose love for the party is not even close to the one he has for women. Every action he undertakes is somehow connected to the love adventure, and his rise on a social ladder doesn't stops even in the turbulent period of Informbureau crisis.

The wife of a successful construction manager has disappeared after an ordinary morning in Belgrade. He is assured she will come back and continues with life, as usual. But, maybe she is just the first of the collapsed dominoes.

Story about a forty-something Sarajevo taxi driver named Fudo (Saša Petrović) who decides to take control of his own destiny. Fudo doesn't earn much, so he supplements his income by offering tips to the local criminal syndicate and turning a blind eye to their nefarious dealings. One day, after offering a particularly bad bit of advice to a violent gangster, Fudo is badly beaten. When Fudo's wife Azra (Daria Lorenci) discovers what has happened, she decides to take the couple's infant son and move out. Now determined to win his wife back and restore peace in the home, Fudo decides to go straight. But cleaning up his act isn't going to be easy, because after borrowing enough cash from black market dealer Sejo (Emir Hadžihafizbegović) to purchase a van and then refusing to aid him in any underhanded dealings, the only person willing to cut him any slack is the sympathetic Azra.

In the mountains of Montenegro people have lived by strict and Draconian laws for centuries, almost untouched by modern civilization. However, a young couple are going to seek their fortune on the more liberal coast and there they find jobs in the nudist colony. Hundreds of naked bodies and atmosphere of joie d'vivre make the husband and wife question their rigid way of life.

Family Susic lives everyday Bosnian story. Father Muhamed (63) is employed in a reputable company; mother Marija (60) is retired. Son Sasa (35), who spent the war in Army of Bosnia and Herzegovina, lives with his parents, while their daughter Senada (40) lives in Slovenia. Their life begins to fall apart because of father's dissatisfaction after his company is sold on the stock exchange, Sasa's negligent attitude towards work and family, Marija's breast cancer diagnose. When problems begin to line up Muhamed and Sasa realize that actually only family is important, that it is man's last oasis

Bosnia and Herzegovina, 1991. After the fall of the communists, Divko Buntić, who has lived in exile in Germany for the past twenty years, returns to the village where he grew up, intent on reclaiming ownership of his family home, driving a swanky Mercedes and accompanied by his young bride; by Bonny, his lucky black cat; and with pockets full of money.

Tugomir, a student, wants to write a dissertation on Love, but fails to complete it before being obligatory drafted in the army. There, he succumbs to paranoia that his girlfriend is cheating on him. He decides to cheat on her too.

Professor Gerasim and assistant Tugomir are in a ski-resort where opportunity for cheating and love is around every corner.

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.

Loving young couple Luna and Amar try their best to overcome unexpected obstacles that threaten their relationship. After Amar's dramatic change in a fundamentalist community, Luna tears herself apart searching if love is truly enough to keep the couple together on the path to a lifetime of happiness...

Unlike in the previous sequel of "Foolish Years"/"Zika's Dynasty" film series, Zika's and Milan's grandson became crazy for girls, having sex with them simultaneously in his apartment. Granddads are now worried for different reason, so they visit the doctor who gives them an advice to send their grandson to the country in order to use his strength appropriately.

A couple of morticians entertain themselves by betting on how many cold customers will come in that day. But one of the corpses refuses to cooperate...

Silent Gunpowder (Serbo-Croatian: Gluvi barut) is a Yugoslavian war film Based on a novel by Branko Ćopić and set during World War II, the film tells the story of a Serbian village in the mountains of Bosnia and its villagers who found themselves divided along two opposing ideological lines, represented by the Chetniks and the Partisans. These two opposing sides are personified in the Partisan commander Španac and a former Royal Army officer Radekić. Španac sees Radekić as the cause of villagers' resistance to the new, Communist, ideology and so the main plot axis is the conflict between them. At the 1990 Pula Film Festival, the film won the Big Golden Arena for Best Film, as well as the awards for Best Actor in a Leading Role (Branislav Lečić), Best Film Score (Goran Bregović). The film was also shown at the 1991 Moscow International Film Festival, where both Branislav Lečić and Mustafa Nadarević won the Silver St. George Award for their performances.

Socialist Croatia, sometime during the 1980s. After he's accused of a crime he didn't commit, Martin is sent to a high-security state prison where he accidentally becomes a target of a violent gang.

Sarajevo, 1992. They are called Ahmed, Lana, Sado, Saba, Sahbey, Beba, Nemanja, Marx, Matan. They live in and between wartimes. They have "nafaka", the destiny which was bestowed on them by God Almighty. They have enough gallows humor and courage to believe in freedom and happiness.

A boy's careless childhood is interrupted when he finds out about his parents' decision to divorce.

Every day Mirza spends with women. Every day he has to re-visit them and make them all happy. Today, he says goodbye to everybody.

Arman is about to turn 18. He was adopted as a baby by Jasna and Senad, who were unable to have children of their own. However, four years after the adoption, Jasna gives birth to Dado. Throughout his life, Arman has had a hard time coping with being an adopted child. Full of explosive energy, he constantly gets in trouble together with his schoolmates. Despite being very intelligent, he is labelled as a problem child. The only place he feels safe and loved is with Jasna’s parents. At the same time, Arman does all he can to save Dado from self-destructing. However, despite everything he does to support his brother, his parents interpret Arman’s involvement incorrectly, and blame him for every trouble with Dado.

The abolishment of a railway station in a remote Bosnian village affects the lives of the local railwaymen.

Martin is forty, living his common life with protective, invalided mother - no friends, no girl friend, no warm or friendly relationships with anybody - He works as a delivery boy for one bakery shop, so his working hours starts before sun rises, while the streets of the town are still empty. One clear autumn night, one strange girl approaches Martin - she is going through the drug crises and she needs help.

Faced with the horrors of war, ten different people desperately try to find some connection to society and the human spirit, however, in the face of the conflict and anguish that surrounds their every waking moment, they gradually start loosing their faith in humanity as the pain they witness, and have to go through themselves, seems unending.

The two worlds are different